Nipple play, 2018

Hot stamping and acrylic on canvas

185 x 220 cm


Silence = Death (Silêncio), 2017

Swabs and K-Line on canvas in acrylic box

41,5 x 31,5 x 11,5 cm 


Vadios, 2018

Iron, paint and amyl nitrite

380 x 380 x 230 cm



Born in Rainy River, Ontario, Canada, in 1966.

Lives and works in London and Berlin.



Goldsmiths College, University of London, B.A. (Hons.) Fine Art.


'.. then nothing turned itself inside-out and became something.', Simon Lee Gallery, Nova Iorque, Nova Iorque

Anima Vectorias, Museum Art Architecture Technology (MAAT), Lisboa, Portugal

Cristina Guerra Contemporary Art, Lisboa, Portugal

Heavy Metal Body, Esther Schipper, Berlin, Germany

Space Fiction Object, Galerie Eva Presenhuber, Zurich, Suiça

Almanach 16, Le Consortium, Dijon, França

Archetypes and Totem Antidotes, Galerie Micheline Szwacjer, Brussels, Belgium

Topology: No Holes, Four Tails, Mary Boone Gallery, New York, NY

New Wave Digits, Simon Lee Gallery, London, UK

Kerstin Engholm Gallery, Vienna

In Virtual Vitro, Esther Schipper, Berlin

Pentagon Principle, Galeria Helga de Alvear, Madrid

Universal Mineral, Simon Lee Gallery, Hong Kong

Short Big Yellow Drawing Machine, Galerie Esther Schipper, Berlin

Short Big Drama, curated by Nicolaus Schafhausen, Witte de With, Center for Contemporary Art, Rotterdam


Angela Bulloch, Galerie Micheline Swajcer, Antwerp

Vattenfall Contemporary 2011 - Information, Manifesto, Rules and other leaks..., Berlinische Galerie, Berlin

Angela Bulloch - Time & Line, Städtische Galerie Wolfsburg, Wolfsburg


KW69 #1 Molecular Etwas von Angela Bulloch, Kunst-Werke Berlin- KW Institute for Contemporary Art, Berlin

Discrete Manifold Whatsoever, Simon Lee Gallery, London

Angela Bulloch - Redux, Esther Schipper, Berlin


Trajectories & Other Lines, Cristina Guerra Contemporary Art, Lisbon

Smoked, Formed & Quartered, Galería Helga de Alvear, Madrid

Galerie Kreo, Paris

Air de Paris, Paris


Zhang Jiang Public Art Project, Shanghai

X Wohnungen Neukölln (with Michael Iber), Gropiusstadt Neukölln, Berlin

The space that time forgot, Lenbachhaus, Kunstbau, Munich

V, Galerie Eva Presenhuber, Zürich


Repeat Refrain, Enel Contemporanea, Ara Pacis, Rome

Are you coming or going, around?, Esther Schipper, Berlin


Angela Bulloch, The Power Plant, Toronto

Angela Bulloch, De Pont Museum voor Hedendaagse Kunst, Tilburg, The Netherlands

We Are Medi(eval) (with Liam Gillick), Cubitt Artists, London

Yuko Gothic Grid, Micheline Szwajcer, Antwerp


Angela Bulloch, Modern Art, Oxford

To the Power of 4, Secession Wien, Vienna

Angela Bulloch, Le Consortium, Dijon, France

The missing 13th, Galeria Helga de Alvear, Madrid


Antimatter3, Galerie Eva Presenhuber, Zurich

Angela Bulloch, Engholm Engelhorn Galerie, Vienna


Angela Bulloch/Matrix 206. Macromatrix: For your Pleasure, UC Berkeley Art

Museum and Pacific Film Archive, Berkeley

New Work 8: Angela Bulloch, World Reflections, Aspen Art Museum, Aspen, USA

Disco Floor_Bootleg: 4, Installation am Medienturm Graz, Graz, Austria


Search and Arrest, Y8 International Sivananda Yoga Center, Hamburg

Angela Bulloch, 1301 PE Brian D. Butler, Santa Monica

Macro World: One Hour3 and Canned, Schipper & Krome, Berlin

Angela Bulloch: Chain, Galerie Micheline Szwajcer, Antwerp

Angela Bulloch, Institute of Visual Culture, Cambridge, UK


Matrix, Magnani, London

Z Point, Kunsthaus Glarus, Glarus


Prototypes, Hauser & Wirth & Presenhuber, Zurich

BLOW_UP T.V., Schipper & Krome, Berlin

From the Eiffel Tower to the Riesenrad, Galerie Kerstin Engholm, Vienna

Headless with Legs + Tripping, 1301PE, Los Angeles


Angela Bulloch, Sylvie Fleury, Mehdi Chouakri, Berlin


Codes, Schipper und Krome, Berlin

Superstructure, Museum für Gegenwartskunst Zürich, Zurich (cat.)

Sounds Off, Robert Prime Gallery, London


Vehicles, Le Consortium, Centre d’Art Contemporain, Dijon

Soundbank, Kunstverein Ludwigsburg


Galerie Walcheturm, Zurich

Robert Prime, London


Mudslinger, Schipper & Krome, Cologne

From the chink to Panorama Island, PADT, London

Marc Foxx Gallery with 1301/Brian Butler, Santa Monica


Kunstverein in Hamburg, Hamburg:F.R.A.C. Languedoc-Roussillon; Aldebaran,

Baillargues, France


Centre pour la Création Contemporaine, Tours, France (cat.)

Rules Series, Esther Schipper and Friesenwall 116a, Cologne

1301, Santa Monica, California

The art of survival/baby-doll saloon with Sylvie Fleury, Laure Genillard, London


Esther Schipper, Cologne

Galleria Locus Solus, Genoa


Le Case d'Arte, Milan


Interim Art, London

APAC Centre d'Art Contemporain, Nevers (cat.)

Galerie Claire Burrus, Paris

Esther Schipper, Cologne



PS81E, Esther Schipper, Berlin, Germany

Festival #1 Angela Bulloch / Gerwald Rockenschaub, Mehdi Chouakri, Berlin, Germany

STUDIO BERLIN, Berghain, Berlin, Germany

Bulloch, Pryde: Sky, Rocks & digits, Simon Lee Gallery, Hong Kong


Sculpture Milwaukee, Milwaukee, WI

Always Different, Always the Same: An Essay on Art and Systems, Bündner Kunstmuseum, Chur, Switzerland

Double Lives: Visual Artists Making Music, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria


Stars, Lentos Kunstmuseum Linz, Linz, Austria

Duet with an artist. Participation as an artistic principle, 21 erHaus, Vienna, Austria

Für Barbara, Hall Art Foundation | Schloss Derneburg Museum, Derneburg, Germany

Them Or Us! A Project of Political and Social Science Fiction, Cristina Guerra Contemporary Art,

Porto, Portugal

Mentally Yellow (High Noon), Lenbachhaus, Munich, Germany

Liam Gillick, Extended Soundtrack For A Lost Production Line: Ton und Film, Galerie Eva

Presenhuber, Zurich, Switzerland

A Certain Kind of Light, The Towner Art Gallery, Eastbourne, Sussex, UK. This exhibition travels to

The Attenborough Centre, Leicester, UK (2017)

Night in the Museum - An Arts Council Collection exhibition curated by Ryan Gander, The Gas Hall,

Birmingham Museum and Art Gallery, Birmingham, UK (exh. cat); travels to The Attenborough

Centre, Leicester, UK (2017)


Development - Okayama Art Summit 2016, Curated by Liam Gillick, Okayama, Japan

Night in the Museum - An Arts Council Collection exhibition curated by Ryan Gander, Longside

Gallery, Yorkshire Sculpture Park, Yorkshire, UK (exh. cat)

Beginnings, Galerija Vartai, Vilnius, Lithuania

Fractured, Simon Lee Gallery, Hong Kong

L’air du temps, Kerstin Engholm Gallery, Vienna, Austria

Lo Inconmensurable: Una Idea de Europa, Centro Centro, Madrid, Spain

The Natural Order of Things, Fundación Jumex Arte Contemporáneo, Granada, Mexico City

Tobias Rehberger Presently, neugerriemschneider, Berlin, Germany

Lever les yeux au ciel, Maison des Arts George Pompidou, Cajarc, France

Almanach 16, Le Consortium, Dijon, France


UGO RONDINONE I ♥ JOHN GIORNO, Palais de Tokyo, Paris, France

Lunapark 2000: Light from the Marli Hoppe-Ritter Collection, Museum Ritter, Waldenbuch,


TELE-Gen: Art and Television, Kunstmuseum Bonn, Bonn, Germany (exh. cat)

Sensory Systems, The Grundy, Blackpool, UK

Faux Amis, Simon Lee Gallery, London, UK

Hello Walls, Gladstone Gallery, New York, NY

Works By, Galerie Eva Presenhuber, Zürich, Switzerland

Walk the Line, Kunstmuseum Wolfsburg, Wolfsburg, Germany (exh. cat)

Ladies First!, Schauwerk Sindelfingen, Sindelfingen, Germany

The Decorator and the Thief (…), Northern Gallery for Contemporary Art, Sunderland, UK

RAM: Rethinking Art and Machine, Art Gallery of Nova Scotia, Halifax, CA


Seeing Through Light: Selections from the Guggenheim Abu Dhabi Collection, Manarat Al Saadiyat,

Saadiyat Cultural District, Abu Dhabi, UAE

Petals on the Wind, Galerie Micheline Szwajcer, Brussels, Belgium

1984 – 1999. The Decade, Centre Pompidou Metz, Lorraine, France

A Private Collection, 8th Berlin Biennale, Berlin, Germany

Great Minds: A Presentation of the Collection, Kunstmuseum Bonn, Bonn, Germany

New Generation, FRAC Nord-Pas de Calais, Dunkirk, France

Treasure of Lima: A Buried Exhibition, Thyssen-Bornemisza Art Contemporary Academy, Cocos

Island, Costa Rica

Diagrams: Essential Meaning (Angela Bulloch – Langlands & Bell – Simon Patterson), The

Holden Gallery, Manchester, UK


Collection on Display, Migros Museum für Gegenwartskunst, Zurich, Switzerland

93, Galician Contemporary Art Centre (CGAC), Santiago, Spain

The Future Starts Here, FRAC Nord-Pas de Calais, Dunkirk, France

Art in Berlin from 1945 to Today, Berlinische Galerie Museum Für Moderne Kunst, Berlin, Germany

BRITISH BRITISH POLISH POLISH: Art from Europe's Edges in the Long ‘90s and Today, CCA Ujazdowski Castle, Warsaw, Poland (exh. cat)

Sculptrices, Villa Datris, L’Isle-sur-la-Sorgue, France

The Whole Earth: California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany (exh. cat)

Great Men Die Twice, Mário Sequeira Gallery, Braga, Portugal

Datascape, Borusan Contemporary, Istanbul, Turkey. This exhibition then travelled to; LABoral Art and Industrial Creation Centre, Gijon, Spain (2014)

Turbulences II, Villa Empain-Boghassian Foundation, Brussels, Belgium

Art after 1945, Lenbachhaus Kunstbau, Munich, Germany

Double-and-Add: Angela Bulloch, Anthony McCall, Haroon Mirza, RISD Museum, Rhode Island, RI

Collection Sandretto Re Rebaudengo: Have you seen me before? Whitechapel Gallery, London, UK

Touching Colour, Newcastle University: Hatton Gallery, Newcastle upon Tyne, UK


Double-and-Add: Angela Bulloch, Anthony McCall, Haroon Mirza - The RISD Museum - University of Rhode Island, Providence, RI

Le Frac S'invite Au Consortium - FRAC - Bourgogne, Dijon

Fruits of Passion - Project for contemporary art - Centre Pompidou - Musée National d´Art Moderne, Paris

Una finestra sul mondo - Da Dürer a Mondrian e oltre - Museo d'Arte di Lugano, Lugano

A WINDOW ON THE WORLD, from Dürer to Mondrian and beyond - Museo Cantonale d´Arte Lugano, Lugano

Turbulence - Espace Louis Vuitton Paris, Paris

Paramor - FRAC - Pays de la Loire, Carquefou

Wir treffen uns am Abend - COCO (Contemporary Concerns), Vienna

Editions! - Grieder Contemporary - Zürich, Küsnacht ZH

Forme et informe - Musée des Beaux Arts de Dôle, Dôle

Time Capsule - Eine Frau, ein Baum, eine Kuh - Museum für Konkrete Kunst, Ingolstadt


Line Up - Boers-Li Gallery, Beijing

Exposition De Sculpture Npdc - Kaohsiung Museum of Fine Art, Kaohsiung City

Sculpture Now - Galerie Eva Presenhuber, Zurich

Magical Consciousness - Arnolfini, Bristol (England)

Weltraum. Die Kunst und ein Traum - Kunsthalle Wien (Museumsquartier), Vienna

Play Ground - New Walk Museum & Art Gallery, Leicester (England)


Plus Ultra - Opere dalla Collezione Sandretto Re Rebaudengo - MACRO Testaccio (MACRO Future), Rome

The New Decor - Garage Center for Contemporary Culture - GCCC, Moscow

Just love me - MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg

The Rhythm of Istanbul - Akbank Art Center, Istanbul

Simon Lee Gallery à Paris - Galerie Kreo, Paris

Cream - Kiasma - Museum of Contemporary Art, Helsinki

The New Décor - Hayward Gallery, London (England)

Nice and Easy - Galeria Mário Sequeira, Braga

HIGH IDEALS & CRAZY DREAMS - Compiled by Gerwald Rockenschaub - Galerie Vera Munro, Hamburg

Art - curated by Michel Craig-Martin - Michael Fuchs Galerie, Berlin

Art (Magenta) - - Galerie Haas & Fuchs - Berlin, Berlin (closed, 2011)

Fiat Lux. Creación e Iluminación - MACUF Museo de Arte Contemporáneo Union Fenosa, A Coruña

1. Biennale für Internationale Lichtkunst Ruhr 2010 - Biennale für Internationale Lichtkunst, Unna

Party! - The New Art Gallery Walsall, Walsall, West Midlands (England)

A Roll of the Dice - Cristina Guerra Contemporary Art, Lisbon


We are sun kissed and snow blind - Galerie Patrick Seguin, Paris

Verausgabungssymposium - COCO (Contemporary Concerns), Vienna

Moby Dick - CCA Wattis Institute for Contemporary Arts, San Francisco, CA

L'attraction de l'espace - Musée d'Art moderne de Saint-Etienne, Saint-Etienne

The social critique 1993-2005 - Kalmar konstmuseum, Kalmar

Wall Drawings - 1301PE, Los Angeles, CA

Summer exhibition: Matti Braun, Angela Bulloch, Christoph Keller - Esther Schipper, Berlin

Universal Code - The Power Plant, Toronto, ON

Estuaire 2009 - Estuaire - Nantes <>Saint Nazaire, Nantes

Colour Chart: Reinventing Colour, 1950 to Today - Tate Liverpool, Liverpool (England)

Antes de ayer y pasado mañana; o lo que puede ser pintura hoy - MACUF Museo de Arte Contemporáneo Union Fenosa, A Coruña

Sound of Music - Turner Contemporary, Margate, Kent

Proiezioni - Castello di Rivara - Centro d´arte contemporane, Rivara (TO)

Yellow and Green - Positionen aus der Sammlung des MMK - Museum für Moderne Kunst (MMK), Frankfurt/Main

The Porn Identity - Kunsthalle Wien (Museumsquartier), Vienna

Mind the Step - 1301PE, Los Angeles, CA


The Cover of a Book is the Beginning of a Journey - Arnolfini, Bristol (England)

theanyspacewhatever - Solomon R. Guggenheim Museum, New York City, NY

Pièces à vivre - FRAC - Poitou-Charentes, Angoulême

Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Lucerne

Angela Bulloch - Jorque Queiroz - Galeria Helga de Alvear, Madrid

Martian Museum of Terrestrial Art - Barbican Art Gallery, London (England)

Kunstmaschinen – Maschinenkunst - Museum Tinguely, Basel

Color Chart: Reinventing Color, 1950 to Today - MoMA - Museum of Modern Art, New York City, NY

Group Show - Galerie Eva Presenhuber, Zurich

the Collector: Sound of Music - Marres - Centre for Contemporary Culture, Maastricht


Ensemble, ICA, Philadelphia

Kunstmaschinen. Maschinenkunst, Schirn Kunsthalle, Frankfurt

Cosmic Dreams, Centro Cultural Andratx, Mallorca

The Suspended Moment, Z33, Hasselt

Klang im Bild, Opelvillen, Rüsselsheim

Cuestion Xeracional, OCGAC, Sant Diago de Compostella


From Damien Hirst’s Murderme Collection: In the Darkest Hour there will be Light, Serpentine Gallery, London

Bewegung im Quadrat: Das Quadrat in Malerei, Kinetischer Kunst und Animation, Museum Ritter, Waldenbuch

Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin

Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen

Collection Helga de Alvear, Centro Cultural de Belem, Lisboa

Galleri MGM, Oslo

Tate Triennial, Tate Britain, London

Satellite Of Love, Witte de With, Rotterdam

Backdrop, Bloomberg Space, London

Lichtkunst aus Kunstlicht, Museum für Neue Kunst, Karlsruhe

Wrong, Klosterfelde Linienstraße, Berlin


36 x 27 x 10, White Cube - Palast der Republik, Berlin

Ambiance, K21, Düsseldorf

Possession, Gerry Bibby/Paul-Lincke-Ufer 33, Berlin

Agua, Sin Ti No Soy, Valencia Biennale, Valencia

Extreme Abstraction, Albright Knox Art Gallery, Buffalo

Preis der Freunde der Nationalgalerie, Hamburger Bahnhof, Museum für Gegenwartskunst, Berlin

EN/OF 001-030, Museum Kurhaus, Kleve

Nach Rokytník: Die Sammlung der EVN, MUMOK, Wien

Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Torino

The Suspended Moment, CRAC Alsace, Altkirch

Someone Somewhere Is Furiously Traveling Towards You, La Casa Encendida, Madrid

Collection 2, Fondation pour l’Art Contemporain Claudine et Jean-Marc Salomon, Alex

La Traicion De La Escultura, Mario Sequeira Gallery, Braga


Funny Cuts – Cartoons und Comics in der Zeitgenössischen Kunst, Staatsgalerie, Stuttgart

Villette Numerique (cur. by Benjamin Weill), Parc et Grand Hall La Vilette, Paris

Specific Objects, Galerie Mehdi Chouakri, Berlin

Raison et Sentiments. Collection FNAC, CRAC Alsace, Altkirch

100 Artists See God, Contemporary Jewish Museum, San Francisco / Laguna

Art Museum, Laguna Beach / ICA, London

Ein-leuchten, Museum der Moderne, Salzburg (cat.)

Open, Arcadia University Art Gallery, Glenside

Performative Installation #5: Performative Architektur, Galerie für zeitgenössische Kunst, Leipzig

Live and let die!, Schiffbau, Zurich

Club Transmediale, Maria am Ostbahnhof, Berlin


Poème/image, Kunsthaus Schloss Wendlinghausen, Dörentrup

Form Specific, Moderna Galerija, Ljubljana

Utopia Station, La Biennale di Venezia, Venice

EN/OF Editionen, Heeresbäckerei Guestroom, Berlin

Brightness, Museum of Modern Art, Dubrovnik

Conceptualisms, Akademie der Künste, Berlin

Cromatic Sensation, Gallery Hyundai, Seoul

Einbildung – Das Wahrnehmen in der Kunst, Kunsthaus Graz, Graz

It's in our hands, Migrosmuseum für Gegenwartskunst Zürich, Zurich

Coollustre, Collection Lambert en Avignon, Avignon

Playlist, Palais de Tokyo, Paris

One on One – Installations from the Collection (1968 – 1988), Van Abbemuseum, Eindhoven

Favorites +, Galerie Fortlaan 17, Ghent


Frequenzen (Hz). Audiovisuelle Räume, Schirn Kunsthalle, Frankfurt a. M.

Hell, Neugerriemschneider, Berlin

Inter/re/views, Kunstpunkt Berlin, Berlin

Ars Lucis et Umbrae. Licht und Schatten als selbständige Medien in der Kunst, Museum im Kinsky, Vienna

Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössische Kunst, Leipzig

Claude Monet ... bis zum digitalen Impressionismus, Fondation Beyeler, Riehen/Basel

Sweet Nothing. (Liege)Stätten des sommerlichen Nichtstuns, Kunsthaus

Baselland, Muttenz

Remix, Tate Liverpool, Liverpool

Once Again, John Hansard Gallery, Southampton

Touch: Relational Art from the 1990‘s to now, San Francisco Art Institute, San Francisco

To Whom It May Concern, CCAC Wattis Institute for Contemporary Arts, San Francisco

Favorites, Galerie & Edition Artelier, Graz

Shanghai Biennial, Shanghai

No Ghost Just a Shell, (with Imke Wagener), Institute of Visual Culture, Cambridge


L’Esprit de famille, MAMCO, Geneva

art>music, Museum of Contemporary Art, Sydney

Wertwechsel. Zum Wert des Kunstwerks, Museum für angewandte Kunst, Cologne

Connivence, Biennale de Lyon, Lyon

Arbeit Essen Angst, Kokerei Zollverein, Essen

Der Dritte Sektor, Kunstverein Wolfsburg, Galerie für zeitgenössische Kunst, Leipzig

Wechselstrom. Sammlung Hauser & Wirth/Teil2, Lokremise St. Gallen (cat.)

Timewave Zero/The Politics of Ecstasy, Grazer Kunstverein, Graz

1301 PE Brian Butler, Los Angeles


The World is not enough with Sylvie Fleury, Galerie Mehdi Chouakri, Berlin

Against Design, ICA, University of Pennsylvania, Philadelphia

Sonic Boom - The Art of Sound, Hayward Gallery, London

Presumed Innocent, CAPC, Bordeaux (cat.)

Dire Aids. Arte nell’epoca dell’Aids, Palazzo della Promotrice delle Belle Arti,Turin

M(odel) 4∞, BüroFriedrich, Berlin

Media art 2000 - escape, media_city Seoul 2000, Seoul Metropolitan Museum Seoul

EIN/räumen. Arbeiten im Museum, Hamburger Kunsthalle, Hamburg

Außendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kulturbehördeund Kunstverein in Hamburg, Hamburg

Version_2000, Centre pour l’image contemporaine Saint-Gervais, Geneva


Common People, Fondazione, Re Rebaudengo per l’Arte, Guarene d’Alba

Video Store II, by bdv, XN99 Espace des Arts, Chalon-sur-Saone; l’Espace

Lausannois d’Art Contemporain, Lausanne

Sweetie: Female Identity in British Video with Sylvie Fleury, The British School at Rome, Rome

Bankside Browser, St. Christopher’s House, organised by the Tate Gallery of Modern Art, London

Etcetera, Spacex Gallery, Exeter

To Design For, Le Spot, Le Havre

Power, Galerie für Zeitgenössische Kunst, Leipzig

Borderline PILOT - the audience from a distance, Museum van Bommel van Dam, Venlo

Essential Things, curated by Guy Mannes Abbot, Robert Prime Gallery, London

At Home with Art, curated by Colin Painter (touring exhibition), Tate Gallery, London

Here to stay. Arts Council Collection purchases from the 1990s, The Potteries

Museum & Art Gallery, Stoke on Trent

Tendenzen der 80er und 90er Jahre, museum für neue kunst zkm, Karlsruhe

Strengthening Wind from Changing Directions - International Avant Garde since 1960: The Paul Maenz Collection, Neues Museum Weimar

Space, Schipper & Krome, Berlin


Emotion - Young British and American Art from the Goetz Collection, Deichtorhalle, Hamburg

Typische Handbewegung, Künstlerwerkstatt, Munich

John Armleder, Angela Bulloch, Pierre Joseph, Jonathan Monk, Le Spot, Studio d’Art Contemporain, Le Havre

N.IGS./WI.UU.OX/W.OKS.MH/Y.IM, FRAC Poitou-Charentes

Z.U.P. Zone a urbaniser en priorité, Fonds Régional d’Art Contemporain, Marseille

Weather Everything, curated by Eric Troncy, Galerie für zeitgenössische Kunst, Leipzig

UK Maximum Diversity. Zeitgenössische Kunst aus England, Atelierhaus der Akademie der Bildenden Künste, Wien; Galerie Krinzinger in der B. Fabrik, Bregenz

Patchwork in Progress 3. La Nuit, l’oubli, Fondation Mamco et le Musée d’art Moderne et Contemporain, Genève

Kunst und Parlament. Kunst für das Reichstagsgebäude und das Paul-Löbe- und Marie-Elisabeth-Lüders-Haus, Deutscher Bundestag, Berlin

Kunstausstellung Holderbank, Holderbank AG, Holderbank

Lifestyle. Internationale Kunst in den Grenzbereichen von Mode, Design, Styling, Interieur und Werbung, Kunsthaus Bregenz, Bregenz

Art Club Berlin, Pavillon Mies van der Rohe, Barcelona

MAI 98. Positionen zeitgenössischer Kunst seit den 60er Jahren, Kunsthalle Köln am Neumarkt, Cologne

Crossings, Kunsthalle Wien, Vienna

Fast Forward (Trade Marks), Kunstverein in Hamburg, Hamburg

Fast Forward (Body Check), Kunstverein in Hamburg, Hamburg

Entropy at Home, Suermondt Ludwig Museum, Aachen

Inglenook, Feigen Contemporary, New York

Root, Chisenhale Gallery, London

London Calling, The British School at Rome, Rome

Art from the UK, Sammlung Goetz, München (cat.)

Vive la Vie! Le Parvis, Centre d' art contemporain, Pau


Kunst.Arbeit, Sammlung SüdwestLB, SüdwestLB forum, Stuttgart

Life/Live, Centro Cultural de Belém, Portugal

Such is Life with Sylvie Fleury, video programme curated by Jonathan Watkins, Serpentine Gallery, Bookshop, London

Rooms with a View: Environments for Video, Guggenheim Museum SoHo, New York (cat.)

Material Culture. The Object in British Art of the 1980s and '90s, Hayward Gallery, London (cat.)

Moment Ginza, une proposition de Dominique Gonzalez-Foerster, Le Magasin, Grenoble; Färgfabriken, Stockholm (cat.)

Performance Anxiety, Museum of Contemporary Art, Chicago (cat.)

Was Nun? Schipper & Krome, Berlin

ca-ca poo-poo, Kölnischer Kunstverein, Cologne

Tanti Video with Sylvie Fleury, Arcate Art Fabrica, Turin

Kunst in der Leipziger Messe, Glashalle, Messegelände Leipzig

Flexible, Museum für Gegenwartskunst, Zurich

Connexions Implicites, l’École Nationale Supérieure des Beaux-Arts, Paris (cat.)

Group Show at Robert Prime, London

Persona X, Salzburger Kunstverein, Salzburg

PopVideo, Kölnischer Kunstverein und Viva Zwei, Cologne

Un toit pour tout le monde, Werke aus der Sammlung FRAC Languedoc-Roussillon, Künstlerhaus Bethanien, Berlin

Private Face - Urban Space, Gas Works, Athens; Rethymnon Centre for Contemporary Art, Crete (cat.)

Opening exhibition, LEA Gallery, London

History - The Mag Collection, Ferens Art Gallery, Kingston upon Hull (cat.)

Brain Multiples @ Art Metropole, Toronto

Dramatically Different, curated by Eric Troncy and Yves Aupetitallot, Le Magasin, Grenoble

Medium of Exchange, CCH, Hamburg

The Turner Prize 1997, Tate Gallery, London


Traffic, curated by Nicolas Bourriaud, CAPC Musée d’Art Contemporain,Bordeaux

Kiss This, Focal Point Gallery, Southend-on-Sea

Model Home, curated by Alanna Heiss, Clocktower Gallery, New York

Gedraag je! Behave! Benimm Dich! Tiens-toi bien! Stedelijk Museum, Bureau Amsterdam, Amsterdam

Multiple Pleasure, Tanya Bonakdar Gallery, New York

Collezionismo a Torino, Castello di Rivoli, Museo d`Arte Contemporanea, Torino (cat.)

Kunst in der neuen Messe Leipzig, curated by C. Schneider, Leipziger Messe, Leipzig (cat.)

Niele Toroni/Angela Bulloch, Museum der Bildenden Künste, Leipzig

Der Umbau Raum, Künstlerhaus Stuttgart, Stuttgart

Dinner, organised by Giorgio Sadotti, Cubitt Gallery, London

The Cauldron, The Henry Moore Studio, Halifax (cat.)

nach weimar, Kunstsammlungen zu Weimar, Weimar (cat.)

Variations, op. 96, Hotel Saint Simon, Angoulême, France

Escape Attempts, curated by GLOBE and Jack Jaeger; Christiania, Copenhagen,

Are you talking to me? curated by Peter Holst Henckel, Gallery Specta, Copenhagen

Orte des Möglichen. Weibliche Positionen in der zeitgenössischen Kunst, Hypobank International S.A., Luxembourg; Achenbach Kunsthandel, Düsseldorf (cat.)

Files - Art as Position in the Age of Global Technologies, Bunker, Berlin

Itinerant Texts, commissioned by Bookworks, Camden Arts Centre, London

Other Men’s Flowers, Galerie Aurel Scheibler, Cologne

Supastore de Luxe, UP & Co, New York

Life/Live, Musée d‘Art Moderne de la Ville de Paris, Paris (cat.); Centro de Exposiçoes do Centro Cultural de Belém, Portugal

Full House. Junge Britische Kunst, Kunstmuseum Wolfsburg, Wolfsburg

All in One, Schipper & Krome, Cologne


Corpus Delicti. London i 90’erne, curated by Torben Christensen Kunstforeningen, Copenhagen (cat.)

Das Ende der Avantgarde, Kunst als Dienstleistung, Kunsthalle der Hypo-Kulturstiftung, Munich (cat.)

Toys, curated by Nicolas Bourriaud & Eric Troncy, Galerie Jousse Seguin, Paris

Wohnzimmer, Schipper & Krome, Cologne

Klangskulpturen, Augenmusik, Ludwig Museum, Koblenz (cat.)

Collection, fin XXe, FRAC Poitou-Charentes, Angouleme (cat.)

le labyrinthe moral, curated by Liam Gillick and Philippe Parreno, Le Consortium, Dijon

Am Rande der Malerei (second part), Kunsthalle Bern, Bern (cat.)

Space Odessey, curated by Helena Papadopoulos, Eleni Koroneou Gallery, Athens (cat.)

How is everything? curated by Erwin Wurm and Martin Walde, Wiener Secession, Vienna

En passant...Urban Scenes in Contemporary Art, curated by Andreas Spiegel, Akademie der Bildende Künste, Vienna (cat.)

Stoppage, curated by Liam Gillick, CCC, Tours and Villa Arson, Nice

Faction Video, curated by Liam Gillick, Det Kongelige Danske Kunstakademi, Copenhagen

444 & 222 Too, steam ironed by Georg Herold, South London Gallery

Sage with Sam Taylor Wood, Gillian Wearing, Elizabeth Wright, Galerie Michel Rein, Tours

X: KunstKanal. World tea Party, Mediapark, Cologne

Never mind the Nineties, Kunst-Werke, Berlin


WM Karaoke, with Liam Gillick, curated by Georg Herold, Portikus, Frankfurt

Surface de Réparation, curated by Eric Troncy, Espace FRAC, Dijon

Surface de Réparation II, curated by Eric Troncy, Espace FRAC, Dijon (cat.)

Le Consortium, with Sylvie Fleury, Dijon

blurp/bleep, Westwerk e.V., Hamburg

Wall to Wall, curated by Maureen Paley, Leeds City Art Gallery, Leeds (cat.)

temporary translation(s), Sammlung Schürmann, Deichtorhallen, Hamburg (cat.)

Sammlung Schürmann, Ludwig Museum, Aachen (cat.)

Use Your Allusion - recent video art, Museum of Contemporary Art, Chicago

Mixbild, Schipper & Krome, Cologne

The Antidote, Centre 181 Gallery, London

Cloni, A&M Bookstore, curated by Tommaso Corvi Mora, Milan

Brian Butler-1301(L.A.), presents: Angela Bulloch, Meg Cranston, Sarah Seager,Thaddeus Strode, Art & Public, Geneva

Informationsdienst, Grazer Kunstverein, Graz

Grand Prix de Monaco, curated by Axel Huber, Nice and Monaco

Gradus ad Parnassum, Arbeiten zeitgenössischer Künstlerinnen, Kunsthaus Welker, Heidelberg

New reality mix, performance and video weekend, Stockholm

The Institute of Cultural Anxiety: Works from the Collection, curated by Jeremy Millar, ICA, London (cat.)


Viennese Story, curated by Jérome Sans, Wiener Secession, Vienna (cat.)

Documentario 2, Spazio Opos, Milan

Tutto Tondo, Monika Sprüth Galerie, Cologne

Galerie Walcheturm, Zurich

Aperto ‘93, Biennale di Venezia, Venice (cat.)

Esther Shipper at the Christopher Grimes Gallery, Santa Monica, CA

Summer 93, Air de Paris, Nice

Nulle part et partout, carte blanche à Ami Barak, Espace Paul Boyé, Sète

My little Toilet, curated by Jonathan Monk, Glasgow

London Photo Race, Friesenwall 120, Cologne

Christmas Shop, Air de Paris, Paris

Unplugged: The Demo Video Tape, curated by Nicolas Bourriaud, Holiday Inn, Cologne

Dokumentationsraum, Esther Schipper, Cologne

Dancing Girls with Kate Daw, Store 5, Melbourne, Australia

An old song and a new drink with Liam Gillick, Café Beaubourg, Paris


Il faut construire l'hacienda, curated by Nicolas Bourriaud, Eric Troncy and Alain Julien-Laferrière, CCC Tours (cat.)

Etats Specifiques - 11 Artistes Anglais, Musée des Beaux-Arts André Malraux, Le Havre (cat.)

Lying on top of the building the clouds seemed no nearer than they had when I was lying on the street, Monika Sprüth Galerie, Cologne; Le Cased‘Arte, Milan

Still, Andrea Rosen Gallery, New York

Dirty Data - Sammlung Schürmann, Ludwig Forum für Internationale Kunst, Aachen (cat.)

Angela Bulloch, Adam Chodzko..., instructions received by Liam Gillick, Gio’ Marconi, Milan (cat.)

Lily van der Stokker, Angela Bulloch, Stephane Magnin - Wall Drawings, Air de Paris, Nice

Molteplici Culture, curated by Liam Gillick & Paul Mittleman, Rome (cat.)

Informationsdienst (travelling exhibition), organized by Ute Meta Bauer, Tina Geissler, Sandra Hasenteufel; First presented in Ausstellungsraum Künstlerhaus Suttgart, Stuttgart

Manifesto, curated by Benjamin Weil, Daniel Buchholz, Cologne; Castello di Rivara, Torino; Wacoal Arts Center, Tokyo; Urbi et Orbi, Paris

Group Show, Esther Schipper, Cologne

ON, Interim Art, London (cat.)


Reve, Fantasie, curated by D. Gonzalez-Foerster, Elein Fleiss, Bernard Joisten, Galerie de Mois, Paris

Angela Bulloch, Sarah Seager and Craig Wood, Interim Art, London

Victoria Miro Gallery, London

No Man's Time, Villa Arson, Nice (cat.)

Broken English, Serpentine Gallery, London (cat.)

Proiezioni, Castello de Rivara, Turin

Plastic Fantastic Lover (object a), curated by Catherine Liu, BlumHelman Warehouse, New York (cat.)

Devices, curated by Bruce Ferguson, Josh Baer Gallery, New York

Marking Time, The Drawing Center, New York


Common Market, curated by Barbara Steffens, Richard Kulenschmidt Gallery,Los Angeles

The Köln Show, Cologne (cat.)

In Loving Correspondence, Massimo Audiello Gallery, New York

Seven Obsessions, Whitechapel Art Gallery, London


Home Truths, six british artists, curated by Kate MacFarlane, Castello di Rivara,Torino

Bulloch, Hume, Landy, Esther Schipper, Cologne


Freeze Part 1, PLA Building, Docklands, London

Freeze Part 3, PLA Building, Docklands, London (cat.)



Anyang Public Art Project, Anyang, Korea


Pacific Rim, Nord LB, Hannover

Millbank Millenium Pier, London


Swiss Re, Zurich


RGB Benches, City of Laignes (Burgundy)


RGB Benches, Fondation de France, Association le Coin du Miroir, Laignes (Burgundy)

Aspidistras in Alphaville (Decimal System), Winterthur Insurance, Winterthur


Seats of Power and Spheres of Influence, Deutscher Bundestag, Paul-Löbe-Haus, Berlin


Pedestrian Pixel System: 55, O.K. Centrum für Gegenwartskunst, Linz, Austria


Belisha Beacon Indicator System, Messehallen, Leipzig

Monographic publications The Space that Time forgot, Kunstbau im Lenbachhaus München. Verlag der Buchhandlung Walther König, Köln, 2008

Prime Numbers. Angela Bulloch, Verlag der Buchhandlung Walther König, Köln, 2006. Angela Bulloch, Secession, Vienna 2005.

Pixel Book, Kunsthaus Glarus, Glarus 2001.

Rule Book. Angela Bulloch, ed. Stefan Kalmár, Book Works, London 2000.

Satellite - Angela Bulloch, ed. Stefan Kalmár and Angela Bulloch, Museum für Gegenwartskunst, Zurich, le Consortium, Dijon, 1998. Angela Bulloch, ed. CCC-Tours, FRAC - Languedoc-Roussillon, Kunstverein Hamburg, Hamburg, 1994. Angela Bulloch, essay by Eric Troncy, APAC, Nevers, 1990.


Montblanc Cutting Edge Art Collection, Hamburg 2007.

Gillick, Liam, Proxemics, Selected Writings (1988-2006), JRP Ringier and Les Presses du Réel, 2006.

In the darkest hour there may be light, Serpentine Gallery, London, 2006. Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Hatje Cantz Verlag, 2006. Anstoss Berlin, Haus am Waldsee, Berlin, 2006. Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, 2006. Tate Triennial, New British Art, ed. by Beatrix Ruf and Clarrie Wallis, Tate Publishing, 2006. Des Deux Cotés Du Rhin, Snoeck, Cologne, 2005. Extreme Abstraction, Albright-Knox Art Gallery, 2005. the suspended moment, CRAC Alsace, Altkirch, 2005.

Art at 30 St Mary Axe London, Swiss Reinsurance Company, Zurich, 2005. Preis Der Nationagalerie Für Junge Kunst, Hamburger Bahnhof, Berlin, 2005. EVN 95-05, MUMOK, Vienna, 2005. Playlist, Palais de Tokyo, Paris, 2004. Ein-leuchten, Museum der Moderne, Salzburg, 2004. Funny Cuts, Cartoons und Comics in der zeitgenössischen Kunst, Staatsgalerie, Stuttgart, 2004.

100 Artists See God, Independent Curators International, New York, 2004.

Cream 3. Contemporary Art in Culture, ed. Gilda Williams, London 2003, pp. 92-95

Frieze Art Fair Yearbook 2003-4, ed. Anna Starling, London 2003 No Ghost just a Shell, Van Abbemuseum, Eindhoven 2003. episode - Chromatic Sensation, Gallery Hyundai, Seoul 2003

Performative Installation - architektur, Siemens Art Programm, 2003.

Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003. Brightness, Modern Museum of Art, Dubrovnik, 2003.

Material_o1, The Institute of Visual Culture (ed.), Cambridge, 2002.

EVN Sammlung. Ankäufe 2000-2002, EVN AG, Wien 2002.

Once Again, John Hansard Gallery, Southampton, 2002.

Woman Artists. Künstlerinnen im 20. und 21. Jahrhundert, Uta Grosenick, Köln 2001,p. 66-71.

Sonic Boom, Hayward Gallery, London, 2000.

Against Design, ICA, University of Pennsylvania, Philadelphia, 2000.

Dire AIDS. Arte nell’epoca dell’AIDS, Milan, 2000.

Documentary Notes, Public Art Develoment Trust, London, 2000.

At Home with Art, ed. Colin Painter, London, 1999.

Power, ed. Jan Winkelmann, Galerie für zeitgenössische Kunst, Leipzig, 1999.

Art at the Turn of the Millennium, ed. Burkhard Riemschneider and Uta Grosenik, Cologne 1999.

Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag, Ostfildern, 1998. Emotion, ed. Zdenek Felix, Deichtorhallen, Hamburg, 1998.

Mai 98 - Positionen zeitgenössischer Kunst seit den 60er Jahren, ed. Brigitte Oetker und Christiane Schneider, Oktagon, Cologne, 1998. Here to stay, ed. Hayward Galery Publishing, by Susan May, London, 1998.

[realisation] kunst in der leipziger messe, ed. Brigitte Oetker and Christiane Schneider, Oktagon, Cologne, 1997.

Un Toit pour tout le monde, FRAC Languedoc-Rousillon, Montpellier, 1997.

EVN Sammlung, Ottenstein, 1997. Flexible, Museum für Gegenwartskunst, Zurich, 1997. Art from the UK (Teil II), Sammlung Goetz, München, 1997. Traffic, Nicolas Bourriaud, CAPC Musée d'art contemporain, Bordeaux, 1996. nach weimar, Klaus Biesenbach and Nicolas Schafhausen, Kunstsammlung zu Weimar, Weimar, 1996.

ProjekteProjects, Kunst in der neuen Messe Leipzig, ed. Christiane Schneider and Brigitte Oetker, Leipzig, 1996. Live/life, la scène artistique au Royaume Uni en 1996 de nouvelles aventures, ARC, Musée d'Art Moderne de la Ville de Paris, 1996.

Collezionismo, Le opere di sei collezionisti d'Arte Contemporenea, Castello di Rivoli, Museo d'arte Contemporenea, Torino, 1996.

Am Rande der Malerei, Kunsthalle Bern, Bern, 1995.

Das Ende der Avantgarde, Kunst Als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo-Kulturstiftung, Munich, 1995. Corpus Delicti, London i 90'erne, Torben Christensen and Andrew Renton, Kunstforeningen, Copenhagen, 1995. Klang Skupturen Augenmusik Ludwig Museum im Deutschherrenhaus, Städtische Museen, Koblenz, 1995.

Collection, fin XXe, 1983-1995, douze ans d'acquisition d'art contemporain en Poitou Charentes, Olivier Chupin, ed. FRAC Poitou-Charentes, 1995. temporary translation(s), Sammlung Schürmann, Kunst der Gegenwart und Fotografie, Deichtorhallen Hamburg, Hamburg, 1995.

Wall to Wall, essay by Liam Gillick, The Southbank Centre, London, 1994 L‘endroit Ideal (Ideal Place), ed. Eric Troncy, L‘Ile du Roy, Centre d‘art et Jardin, Val de Reuil, 1993.

Art & Business, ed. Marjorie Jacobsen, Thames & Hudson, London, 1993. Viennese Story, ed. Jérôme Sans, Vienna Secession, Vienna, 1993.

Documentario 2, ed. Marco Cigolani, Milan, 1993.

Il faut construire l'hacienda, Eric Troncy and Nicolas Bourriaud, CCC, Tours, 1992. Dirty Data - Sammlung Schürmann, Ludwig Forum für internationale Kunst, Prof. Wilhelm Schürmann, Aachen, 1992.

États specifiques, essays by Michael Archer and Francoise Cohen, Musée des Beaux-Arts Andre Malraux, Le Havre, 1992.

Il Mistero dei 100 Dollari Scomparsi, (instructions received by Liam Gillick), Gio‘ Marconi, Milan, 1992.

Molteplici Cultura, ed. Carolyn Christov-Barkargiev, Edizione Carte Segrete, Rome, 1992

240 Minuten, Video compilation by Lothar Hempel and Georg Graw, Esther Schipper, Köln,1992. No Man‘s Time, CNAC, Villa Arson, Nice, 1991. Broken English, essay by Andrew Graham-Dixon, Serpentine Gallery, London,1991.

Plastic Fantastic Lover, essay by Catherine Liu, Blum Helman, New York, 1991.

Wechselstrom. Sammlung Hauser und Wirth in der Lokremise, part 2, ed. Michaela Unterdörfer, Cologne, 1991. art>music. An exhibition looking at crossovers between visual art and music, Museum of Contemporary Art, Sydney, 1991 Bulloch, Hume, Landy, essay by Andrew Renton, Esther Schipper, Cologne, 1990.

Nachschub, ed. SPEX magazine, Köln Show, Cologne, 1990.

Home Truths, essay by Kate Bush, Castello di Rivara, Torino, 1989.


Gockel, Cornelia. ‘Wenn Pixel explodieren,’ Sueddeutsche Zeitung (February 15, 2008): p. 14.

Weskott, Hanne. ‘Alles einer Frage der Perspektive,’ SZ Extra. Sueddeutsche Zeitung (February 14, 2008): p. 4.

Dattenberger, Simone. ‘Klänge einer Sternennacht,’ Münchner Merkur (February 15, 2008).

Popescu, Adina. Preview: The space that time forgot, Lenbachhaus, Kunstbau, München, Artforum International. January 2008, XLVI, No.5, p. 163.

The Producers.’ Roundtable, Artforum International XLVI, No.2, October 2007, pp. 352-359,402.

Prinz, Felix, ‘Welt aus den Angeln’ (review), Texte zur Kunst, September 2007, pp. 252 – 254.

‘Angela Bulloch Installations’,, May 2007.

Rottmann, André, ‘Angela Bulloch at Esther Schipper, Berlin’, Critic’s Picks,, April 2007.

Van den Hoven, Gerrit, ‘Angela Bulloch gaat door waar Judd stopt’, Brabants Dagblad, 02.01.2006.

Seung-duk, Kim, ‘What Difference Does It Make?’, Frog, Nr. 3, spring/summer 2006, pict. pp. 112 – 116.

Seung-duk, Kim, ‘Power Interview, Angela Bulloch’s Pixel Odessey’, Art in Culture, Nr. 4, 2006.

Herbert, Martin, ‘Angela Bulloch’, Artforum, Nr. 8, April 2006, pict. pp. 218 – 219.

Van den Boogerd, Dominic, ‘Pixels en regels’, Metropolis M, nr. 1, 2006, pict. pp. 14-15.

Dijksterhuis, Edo, ‘Specialistenblind’, Het Financieele Dagblad, 11.02.2006.

Wesseling, Janneke, ‘Baarmoedersentsatie’, NRC Handelblad, 20.01.2006.

de Coninck, Frits, ‘Betoverende pixels’, museum tijdschrift, Januar 2006.

Leeb, Susanne, ‘Possession’, Texte zur Kunst, Dezember 2005, 15. Jahrgang, Heft 50, pp. 193-196, pict. p. 192.

Diedrichsen, Diedrich, ‘Echos von Spiegelsounds in Headphones’, Texte zur Kunst, December 2005, 15. Jahrgang, Heft 50, pp. 42-61, pict. pp. 42, 58.

Bracewell, Michael, Art Review, December, 2005.

Gray, Christopher, ‘Seeing the point of Bulloch’s work’, The Oxford Times, 02.12.2005, p. 2.

Moyer, Twyrlene, Sculpture, November, 2005.

Walsh, Maria, ‘The Light Fantastic’, Art Monthly, December-January 2005-06, pict. cover and pp. 1 – 4.

Clark, Paula, ‘Angela Bulloch’, Oxfordshire Living, p. 63.

Peacocke, Helen, ‘Basking in Light’, Weekend, Supplement to Oxford Times, 14.10 2005.

Hirsch, Faye, ‘Abstract Generations’, Art in America, October 2005, pp. 123 – 129.

Bulloch, Angela, ‘Ascend and Descend into the Light’, Sleek Magazine, Autumn 2005, pp. 96-101.

Mayer, Mariano, ‘Angela Bulloch’, Ae Madrid, 36, January 2005, pp. 22-23.

Solana, Guillermo, ‘Películas ocultas de Angela Bulloch’, El Cultural, 27.1.-2.2.2005, pp. 26-27.

Mayer, Mariano, ‘Angela Bulloch’, Neo2, 40, February 2005, pp. 68-69.

Rebollar, Mónica, ‘Angela Bulloch’, Lápiz, Nr. 210-211, February-March 2005, p. 189.

Stunda, Hilary, ‘Aspen: A Cutting-Edge Museum and First-Rate Galleries’, Artnews, January 2004.

Affentranger-Kirchrath, Angelika, ‘Abstraktion in Pixelform’, Neue Zürcher Zeitung, Nr. 33,10.02.2004, p. 48.

Blomberg, Katja, ‘Kunstrakete auf Traufhöhe’, Süddeutsche Zeitung, Nr. 91, 20.04.2004, p.13.

‘Einblick’, Nr. 51, taz Berlin, 23.6.2004, p. 28.

Coles, Alex, ‘Angela Bulloch: A Storm in a Pixel’, Contemporary, Nr. 65, 2004, pp. 20-23.

Behr, Martin, ‘Betrogen von den eigenen Augen. Grazer Kunsthaus eröffnet den Ausstellungsbetrieb: Einbildung – das Wahrnehmen in der Kunst’, Salzburger Nachrichten, 25./26.10.2003.

Schedlmayer, Nina, ‘Hinters Augenlicht geführt’, Profil 45, 3.11.2003, p. 117.

Hoffmann, Justin, ‘Timewave Zero - The Politics of Ecstasy’, Kunstforum International, Vol. 158, March 2002.

Perret, Mai-Thu, ‘Angela Bulloch’ (review), Frieze, Nr. 65, March 2002, p. 89.

Miller, John, ‘United Colors of BBC’, Texte zur Kunst, 12, 47, September 2002, pp. 153-155.

Desaive, P. Y., ‘Angela Bulloch: Pixels & Rules’, Flux News, 29, September – November 2002, p. 6.

Farquharson, Alex, ‘Angela Bulloch’, Frieze, Nr. 71, November-December 2002, p. 97.

Ekroth, Power, ‘Konsthimmel över Berlin’, Res, October 10/2002, pp. 40-46.

Archer, Michael, ‘Angela Bulloch’, Camera Austria, Nr. 80, 2002, pp. 84-85.

Liebs, Holger, ‘Dingsda’, Süddeutsche Zeitung, 19.8.2002, p. 14.

Marzahn, Alexander/Gerig, Karen, ‘Die Kunst, es so zu sagen, als wär es nie gesagt gewesen’, Basler Zeitung, 20.8.2002, p. 34.

Rebentisch, Juliane, ‘Angela Bullochs digitale Reduktionen/Digital Reductions’, Parkett, 66, 2002, pp. 20-28.

Wilson, Andrew, ‘Vielleicht/Maybe’, Parkett, 66, 2002, pp. 36-42.

Prinzhorn, Martin, ‘Simulation der Simulation (und umgekehrt)/The Simulation of Simulation (and vice versa)’, Parkett, 66, 2002, pp. 50-54.

Babias, Marius/Waldvogel, Florian, Campus 2002, Kokerei Zollverein, Essen 2002, pp. 23, 25.

Sorbello, Marina, ‘Angela Bulloch’, tema celeste, Nr. 83, 2001, p. 102.

Allen, Jennifer, ‘Angela Bulloch’, Artforum, February 2001, p. 161.

Rönnau, Jens, ‘Ein/Räumen - Arbeiten im Museum’, Kunstforum International, 1-3/2001.

Möntmann, Nina, ‘Institutional Critique vs. Corporate Identity’, Texte zur Kunst, Nr. 41, 3/2001

Ruf, Beatrix, ‘Angela Bulloch thematisiert Ordnungssysteme mit Fehlern’, Impuls, 4/2001, p.12.

Mahoney, Elisabeth, ‘Total Object Complete with Missing Parts’, Tramway, Glasgow, 2001.

‘Das Pixel in der Kunst’, Fridolin, 13.09.2001, p. 13.

Koch, Martina, ‘Stellwerk der Wahrnehmung’, St. Galler Tagblatt, 13.09.2001, p. 23.

Kock Marti, Claudia, ‘Auch 'Z Point' für Beatrix Ruf’, Glarner Nachrichten, 12.09.2001, p. 11.

‘Kunterbunte Welt in der Farbbox’, Glarner Nachrichten, 6.9.2001, p. 31.

Hilary Jay, ‘Are we having fun yet?’, Inquirer Magazine, pp. 11-15 (also image on cover).

Sonna, Birgit, ‘Verführung zur Kunst’, Lufthansa Magazin, 4/2000, pp. 6-18.

‘Zeit für Kunst/Time for Art’, Zeitgenössische Kunst am Hauptsitz der Winterthur Gruppe in Winterthur (Faltblatt), 2000.

Jones, Jonathan, ‘A Home Of Your Own’, Frieze, Nr. 50, January-February 2000, pp. 50-53.

Sozanski, Edward J., ‘Along the fuzzy boundary between design and art’, The Philadelphia Inquirer, 13.2.2000, p. 11.

Röllin, Christian, ‘Art and Communication’, Winfo, March 2000, pp. 17-20.

‘Kunst-Szenen. In Pixeln sehen - Angela Bulloch’, Neue Zürcher Zeitung, no. 87, 12.4.2000,p. 46.

Jammers, Judith, ‘Pixel in der Dingwelt’, Berliner Zeitung, Nr. 247, 23.10.2000, p. 16.

UK Art 2000, The British Council, October - December 2000.

Von Osten, Marion, ‘Es läuft alles nach Plan’, Texte zur Kunst, 09/2000, vol. 10, issue 39, pp. 189-196.

Blase, Christoph, ‘Leuchte, Pixel, leuchte hell’, Frankfurter Allgemeine Zeitung, Berlin pages, 1.11.2000, No. 254, p. BS4.

Ebeling, Knut, ‘Das Maß der Pixel’, Der Tagesspiegel, No. 17 222, 4.11.2000, p. 28.

Sommer, Tim, ‘Wechselspiel von Macht und Unterordnung’, LVZ, 19.4.1999.

Hellmich, Sigrun, ‘Hochexplosiver Stoff?’, Sächsische Zeitung, 15./16.5.1999.

Müller, Ulrich, ‘Von Phall zu Fall’, Zitty, 13/99, p. 57.

Bonik, Manuel, ‘Kunsthauptstadt Berlin’, GQ, 12/99, p. 60-68.

Troncy, Éric, ‘Que choisir?’ BeauxArts magazine, numéro spécial, Qu’est-ce que l’art (aujourd’hui)/What is art (today), December 1999, pp. 102-105.

‘Art to Die for’, The Guardian Weekend, 09.10.1999, pp. 68-70.

Reust, Hans Rudolf, ‘Angela Bulloch’, Artforum, issue 37, December 1998.

Winkelmann, Jan, ‘Angela Bulloch’, artist, issue 35, 2/1998, p. 4-7.

Manuel Bonik, ‘Berühren erlaubt’, Spiegel Kultur Extra (Spiegel Online, 17/98).

Ebeling, Knut, ‘Wie die Lichtorgel im Partykeller’, Der Tagesspiegel, No. 16385, 4.7.1998, p.28.

Lindner, Norman, ‘Installationen von Angela Bulloch in der Galerie Schipper & Krome’, taz die tageszeitung, 23.6.1998, p.24.

Hauffen, Michael, ‘Angela Bulloch’, Kunstforum International, Vol. 141, Juli/September 1998, p. 420.

David Perreau, ‘Replay’, Omnibus, Nr. 25, July 1998, p. 13.

Fabienne Fulchéri, ‘Bouffée d’oxygène au Havre’, Technikart, Nr. 21, 1998, p. 100.

May, Susan, ‘Angela Bulloch’, Here to stay. Arts Council Collection purchase of the 1990s, London, 1998, pp. 22-23.

Tsingou, Emily, ‘Angela Bulloch’, Flash Art, March/April 1997, p. 122.

Bussel, David, ‘Angela Bulloch’, Frieze, No. 35, June-August 1997.

Sonna, Birgit, ‘Der Rest ist Schwitzen’, SZ, No. 198, 29.8.1997.

Shone, Richard, ‘Head Turners’, Artforum, issue 36, September 1997.

Jahn, Andrea, ‘Angela Bulloch: Sound Bank’, Springer, Hefte für Gegenwartskunst, Vol. 2, issue 3/97, p. 73.

‘Go shoot yourself’, ISM, 13/12/1997, p. 26 ff.

Vogel, Sabine B., ‘Setz dich, es geht los’, FAZ Frankfurter Allgemeine Zeitung, 15.09.1997, p. 30.

Cross, Andrew, ‘Angela Bulloch’, Art Monthly, No. 202, Dec./Jan. 1996.

Roshani, Anuschka, ‘Künstlerwahnsinn’, Spiegel Extra, issue 12.12.1996.

Reust, Hans Rudolf, ‘Szenen aus Betaville’, Kunstforum, Vol. 135, 1996.

‘Le bazar savant de l'art britanique’, Libération, 10.10.1996, p. 30.

Gillick, Liam, ‘Like turning a chair into a switch’, Documents sur l`art, No. 8, 1996.

Muscionico, Daniele, ‘Meer aus Steckdose’, Neue Zürcher Zeitung, 18.9.1996.

Spinelli, Claudia, ‘Klick, klack, Meer an, Meer aus’, Basler Zeitung, 28.8.1996.

Schmitz, Rudolf, ‘Wo bleibt der Körper?’, FAZ Frankfurter Allgemeine Zeitung, 23.11.1995.

Cuvelier, Pascaline, FRAC Languedoc Roussillon 1994.

Troncy, Eric, ‘CCC Tours’, Art Press 1994, p. 187.

Archer, Michael, ‘Angela Bulloch’, Paletten, April 1994.

Papadopoulos, Helena, ‘Angela Bulloch, Sylvie Fleury’, Flash Art, No. 176, 1994.

Brignone, Patricia, ‘Angela Bulloch’, Artefactum, Summer 1994.

Verzotti, Giorgio, ‘Angela Bulloch’, Artforum, April 1993.

Volkart, Yvonne, ‘Eleven Women’, Flash Art, October 1993.

Verzotti, Giorgio, review of Aperto‚ 93, Flash Art, October 1993.

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Kalin, Tom, ‘Plastic Fantastic Lover’, Artforum, January 1992, p. 120.

Bonami, Francesco, ‘Plastic Fantastic Lover, Master and Mistresses’, Flash Art, No. 162, Jan./ Feb. 1992, p. 125.

Bonami, Francesco, ‘Angela Bulloch-Lonesome Comedy’, Flash Art, No. 163, March/April 1992.

Cameron, Dan, ‘Don't look Now‘, Frieze, issue 3, 1992, p. 4-8.

Weil, Benjamin, ‘Cut it out’, Freeze, April/May 1992.

Smolik, Noemi, Müll, ‘Kunst und Leben’, Kölner Stadtanzeiger, No. 164, 17 July 1992.

Weil, Benjamin, ‘Angela Bulloch’, Flash Art, No. 166, October 1992.

Mack, Gerhard, ‘Mehrerlei Comics’, Kunst Bulletin, November 1992, p. 20-23.

Bourriaud, Nicolas, ‘The Work of Art in the Age of Ecological Recycling’, Flash Art, No. 167, Nov./Dec. 1992.

‘Farbe per Funksignal’, Kölner Illustrierte, January 1991.

Frank, Peter, ‘Common Market’, Boyd Webb, Dominique Blain, Anthony Gormley, LA Weekly, February 16, 1991.

Lebrero Stals, Jose. Flash Art, No. 157, March/April 1991.

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Zahm Olivier, ‘Rêve, Fantasie’, Artforum, May 1991.

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Troncy, Eric, ‘Soft Touch’, Artscribe, September 1991.

Jouannais, Jean Yves, Artpress, October 1991.

Smith, Roberta, ‘Plastic Fantastic Lover’, The New York Times, November 1, 1991.

Verzotti, Giorgio, ‘No Man's Time‘, Artforum, November 1991.

Troncy, Eric, ‘No Man's Time’, Flash Art, No. 161, Nov./Dec. 1991.

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McGeown, Martin, Art Press, No. 148, June 1990.

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Graham-Dixon, Andrew, ‘The World of Interiors, The Independent’, August 28, 1990.

Zahm, Olivier, Art Press, No 150, September 1990.

Feaver, William, ‘Exorcise classes for the obsessed’, The Observer, September 2, 1990.

Allthorpe-Guyton, Marjorie, ‘Seven Obsessions’, Artforum, November 1990.

Gillick, Liam, ‘Seven Obsessions’, Flash Art, No. 155, Nov./Dec. 1990.

Smolik, Noemi, ‘Werk ohne Schöpfer’, Kölner Stadtanzeiger, December 12, 1990.

Bulloch, Angela, ‘40 Under 40: The New Generation in Britain’, Art & Design, June/July 1989.

Jeffrey, Ian, Freeze, London 1988



Vattenfall Contemporary Art Prize, Berlinische Galerie, Berlin, Germany

Visual Arts Grant, The Canada Council for the Arts, Ottawa, Canada


Nomination, Award of the Friends of the National Gallery, Hamburger Bahnhof Museum für Gegenwartskunst, Berlin, Germany


ASEF (Asia-Europe Foundation) Cultural Gran


Two months artist residency, ARCUS-project, Moriya, Japan


Whitechapel Artists’ Award