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MATT MULLICAN
Born in Santa Monica, CA, USA, in 1951. Lives and works in New York and Berlin. EDUCATION California Institute of the Arts, Valencia, B.F.A., 1974 SELECTED SOLO EXHIBITIONS 2019 Galerie Thomas Schulte, Matt Mullican : Red, Yellow, Green, In Time, Berlin, Germany Skulpturenhalle, Matt Mullican : Banners, Neuss, Germany NC-Arte, Matt Mullican: Representing the Work, Bogotá, Colombia de Young Museum, Matt Mullican: Between Sign and Subject, San Francisco, California 2018 Cristina Guerra Contemporary Art, Lisbon, Portugal Pirelli Hangar Bicocca, The Feeling of Things, Milan, Italy 2017 / 2016 Nothing Should Exist, Kunsthalle Vogelmann, Heilbronn, Germany The Sequence of Things, Camden Arts Centre, Londres, UK 2016 Matt Mullican: That Person and That World, The Kitchen, New York, EUA Pantograph, Peter Freeman, Inc., New York, USA Nothing Should Exist, Kunstmuseum Winterthur, Switzerland Between, Capitain Petzel, Berlin, Germany 2015 The Meaning of Things, ProjecteSD, Barcelona, Spain Galerie Micheline Szwajcer, Brussels, Belgium 2015 Matt Mullican - Galerie Micheline Szwajcer, Brussels 2014 Matt Mullican - That World/Ese mundo - Museo Tamayo, México City Matt Mullican - Books Representing Books - Kunsthalle Mainz, Mainz, Germany 2013 Matt Mullican - Jablonka Galerie - Köln, Cologne Matt Mullican - A Single Line - Cristina Guerra Contemporary Art, Lisbon Wall Works - Hamburger Bahnhof - Museum für Gegenwart, Berlin Notebooks: Prints by Matt Mullican - Joel & Lila Harnett Museum of Art - University of Richmond, Richmond,VA Matt Mullican - That World / Ese mundo - Museo Tamayo, Mexico City It Is Only A State Of Mind - Heidelberger Kunstverein, Heidelberg Sobre Papel / On Paper - Centro de Artes Visuales Helga de Alvear, Cáceres 2012 Who feels the most pain in the five worlds - Mai 36 Galerie, Zurich Two into One becomes Three - Klosterfelde, Berlin Sutton Lane - Paris, Paris Galerie Micheline Szwajcer, Antwerp 2011 City - Projectesd, Barcelona Behind That Person - Tracy Williams, Ltd, New York City, NY vom ordnen der welt - Haus der Kunst München, Munich Galerie Daniel Blau, Munich 2010 12 by 2 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne Kröller-Müller Museum, Otterlo Matt Mullican: Works from the 1980s and 90s - SolwayJones, Los Angeles, CA 2009 Description and image For the blind man in the dark room looking for the black cat that isn’t there - Contemporary Art Museum St. Louis, Saint Louis, MO Matt Mullican, Cristina Guerra Contemporary Art, Lisbon . Matt Mullican - City as a map (of ideas) - GAK - Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen La planete des signes (Erudition concrete 1) - FRAC - Ile-de-France Le Plateau, Paris Haus der kunst, Munich, Germany Five x Five, Galerie Nelson-Freeman, Paris, France Cosmology, Mai 36 Galerie, Zurich, Switzerland Matt Mullican, Galerie Johann Widauer STUK Kunstencentrum, Leuven, Belgium 2008 Matt Mullican: A Drawing Translates the Way of Thinking, The Drawing Center, NY (cat.) Subject Driven, Klosterfelde, Berlin, Germany Matt Mullican: Notating Cosmology, ProjecteSD, Barcelona, Spain PONG: John Baldessari / Matt Mullican, Tracy Williams, Ltd., New York Zeigen, Audiotour by Karin Sander through Kunstverein Arnsberg; Berlin, Germany Galerie Micheline Szwajcer, Antwerp, Belgium Combination of the Two, Karsten Schubert, London, United Kingdom 2007 Matt Mullican, Galerie Georg Kargl, Vienna, Austria 2006 Stuttgart Airport, Germany Editionen, Helga Maria Klosterfelde, Hamburg, Germany Matt Mullican, Talking the Talk, Walking the Walk, Mai 36 Galerie, Zurich, Switzerland Room Number 4, Cristina Guerra Contemporary Art, Lisbon, Portugal Matt Mullican: Works from the 70's and 80's, Tracy Williams Ltd., New York, New York Direct Cast – Neue Skulpturen, Galerie Daniel Blau, Munich, Germany Breaking Up is Hard to Do, ProjecteSD, Barcelona, Spain Five Suitcases of Love, Truth, Work and Beauty, Christine Burgin, New York, New York Model Architecture, Lentos Kunstmuseum, Linz, Austria (cat.) 2005 O.K. Centrum Fur Gengenwartskunst, Linz, Austria Galerie Nelson, Paris France Ismaninger Museum (Kallmann Museum Munich Germany) Learning From That Person’s Work, Ludwig Museum, Cologne, Germany (cat.) 2004 Mullican World, FRAC Picardie, Amiens, France Nothing Should Exist, Tracy Williams, Ltd., New York, New York Mai 36 Galerie, Zürich, Switzerland International Kunstcentrum de Singel, Antwerp, Belgium 2003 Matt Mullican, Hypnosis Performance, Kunsthalle Zurich, Zurich, Switzerland Matt Mullican, Trance/Performance, 10th Biennial of the Moving Image, Centre pour l’Image Contemporaine, Geneva, Switzerland Cristina Guerra Contemporary Art, Lisbon, Portugal 2002 Mai 36 Galerie, Zürich, Switzerland Johann Widauer, Innsbruck, Austria Performance Live - Under Hypnosis, Anton Kern Gallery, New York 2000-01 Details from an imaginary universe, Fundação Serralves, Portugal, traveling to: Museum of Modern Art, Oxford, England; Foundació Antoni Tapies, Barcelona, Spain; Kunstverein St. Gallen, St. Gallen, Switzerland; Kaiser Wilhelm Museum Krefeld, Germany; Museion, Bolzano, Italy. (cat.) Klosterfelde, Berlin Galerie Massimo De Carlo, Milan, Italy Galerie Philip Nelson, Paris 2000 Bulletin Boards, Murray Guy, New York Galerie Georg Kargl, Vienna, Austria Galerie Daniel Blau, Munich Brooke Alexander Gallery, New York Henry Urbach Architecture, New York Mai 36 Galerie, Zurich Los Angeles Contemporary Exhibitions, Los Angeles 1999 Details from an Imaginary Universe, Städtische Galerie im Lenbachhaus, Munich Forum for Contemporary Art, St. Louis, MO 1998 Stedelijk Museum Schiedam, the Netherlands. (cat.) Marian Goodman Gallery, Paris Mai 36 Galerie, Zurich New Edinburgh Encyclopedia: the paintings, 1991/1997; Matt Mullican Under Hypnosis, 1996, Brooke Alexander, New York 1997 Galerie Daniel Blau, Munich Helga Maria Klosterfelde, Hamburg Wolfsberg Executive Development Centre, Ermatingen, Switzerland Hofgarten am Gendarmenmarkt, Berlin Stedelijk Van Abbemuseum, Eindhoven, Netherlands (with Lawrence Weiner) Massimo De Carlo, Milan, Italy Matt Mullican under Hypnosis, Roomade, Manhattan Centre, Brussels, Belgium; Kunstverein Arnsberg, Germany Bard College, Center for Curatorial Studies, Annandale-on Hudson, NY 1996 Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland Matt Mullican: Works on Paper, Janice Guy, New York Galerie Michael Cosar, Dusseldorf, Germany Matt Mullican, Philippe Thomas, Museum Friedericianum, Kassel, Germany 1995 Nationalgalerie, Berlin, Germany IVAM, Centre del Carme, Valencia, Spain. (cat.) New Works, Mai 36 Galerie, Zurich, Switzerland Daniel Blau, Munich, Germany Synaxis (with Per Kirkeby), Domaine de Kerguehennec, France 1994 Rosebud (with Lawrence Weiner and Jenny Holzer), Lenbachhaus, Munich Germany. (cat.) Wiener Secession, Vienna, Austria. Brochure Kunstverein Hamburg, Germany 1993 Kunstmuseum, Lucerne, Switzerland Massimo De Carlo, Milan, Italy Carl Solway Gallery, Cincinnati, Ohio 1992 Galerie Metropol, Vienna, Austria Barbara Gladstone Gallery, New York University of South Florida Art Museum, Tampa, FL. Artist's book, Texas Gallery, Houston Ghislaine Hussenot, Paris Santa Barbara Museum of Modern Art, Santa Barbara, CA Kuhlenschmidt Gallery, Los Angeles 1991 De Appel, Amsterdam, The Netherlands Rijksmuseum Kroeller-Mueller, Otterlo, Netherlands Matt Mullican: Recent Projects, Brooke Alexander Gallery, New York In the Crack of the Dawn, Matt Mullican/Lawrence Weiner, Mai 36 Galerie, Lucerne, Switzerland. (Artists' book) Galerie Fahnemann, Berlin 1990 Ecole Regionale Superieur d'Espression Plastique, Tourcoign, France. (cat.) List Art Center, Massachusetts Institute of Technology, Boston, (cat.) Portikus, Frankfurt am Main, Germany 1989 Mario Diacono Gallery, Boston. (brochure) Galerie Albert Baronian, Brussels, Belgium Galerie Bruges La Morte, Bruges, Belgium Oregon Art Institure, Portland, OR; traveled to: Western Washington University, Bellinghan, Washington, (brochure) Projects; Matt Mullican, Museum of Modern Art, New York Galerie Ghislaine Hussenot, Paris, France Kuhlenschmidt Gallery, Los Angeles Fuller-Gross Gallery, San Francisco Works; Matt Mullican, Hirshhorn Museum and Sculpture Garden, Washington, DC Mullican + Mullican (with Lee Mullican), Johnson Gallery, University of New Mexico, Albuquerque 1988 Untitled, 1987-88, Winnipeg Art Gallery, Winnipeg, Canada, (cat.) traveled to Manufrance, St. Etienne, France; FRAC Rhone-Alps;The Brooklyn Museum, Brooklyn, NY; San Diego State University, San Diego, CA Bath International Festival, Bath, England, (cat.) Matt Mullican: Photographs and Posters, Riverside Studios, London Cad Solway Gallery, Cincinnati, OH Mai 36 Galerie, Lucerne, Switzerland, (cat.) Lawrence Oliver Gallery, Philadelphia Michael Klein Inc., New York, NY 1987 Kuhlenschmidt/Simon Gallery, Los Angeles Concentrations 15, Dallas Museum of Art, Dallas, TX Fuller Goldeen Gallery, San Francisco Banners, Monuments and the City, Moore College of Art, Philadelphia, (cat.) Michael Klein Inc., New York, NY 1986 The Clocktower, New York, NY Michael Klein Inc., Amsterdam The Everson Museum of Art, New York 1985 Galerie Tanja Grunert, Cologne Richard Kuhlenschmidt Gallery, Los Angeles Mclntosh/Drysdale Gallery, Washington, DC 1984 Schellmann and Kluser, Munich The Queens Museum, Flushing Meadows, Corona Park, New York Centre d'Art Contemporain, Geneva, Switzerland Mary Boone Gallery, New York 1983 Texas Gallery, Houston Institute of Contemporary Art, Boston 1982 Mary Boone Gallery, New York Galerie Chantal Crousel, Paris France Luigi de Ambrogi, Milan Instituto Franco-Americain, Rennes, France 1981 Tanja Grunert, Stuttgart, Germany Saman Galteria, Genoa, Italy 1980 Mary Boone Gallery, New York, NY 1979 Foundation for Art and Resources, Los Angeles The Kitchen, New York 1978 Nova Scotia College of Art and Design, Halifax, NS, Canada The Kitchen, New York 1976 Artists Space, New York 1973 Project, Inc., Boston SELECTED GROUP EXHIBITIONS 2019 Rhona Hoffman Gallery, Signs and Systems, Chicago, USA 2018 WIELS, Contemporary Art Centre, Unexchangeable, Brusels, Belgium National Gallery of Art, Outliers and American Vanguard Art, Washington D.C., EUA The Metropolitan Museum of Art, Before/On/After: William Wegman and California Conceptualism, New York, USA 2017 Skulptur Projekt, Münster, Germany 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, Michigan United States. Intuition, Palazzo Fortuny, Venice, Italy 7 x 7: Now Pictures Why, Museum of Modern Art, New York, United States. Final Exhibition, Murray Guy, New York, USA Immersions , IAC, Villeurbanne, France 2017 / 2016 Flatland/ Abstractions Narratives #1, MRAC, Serignan, France Ich Ist Eine Ego-Maschine, ERES Stiftung, Munich, Germany Da Fuga e do Encontro: Inversoes do Olhar, Espaco Novo Banco, Lisboa, Portugal 2016 Implosion 20: Celebrating 20 Years, Anton Kern Gallery, New York, USA ExtraNatural: A voyage of initiation through the collection of the Beaux-Arts de Paris, Ecole Nationale Supérirure des Beaux-Arts, Paris, France Apparition: Frottages and Rubbings from 1870 to Now, Menil Collection, Houston, TX, USA 2015 Dimensions Variables: Artists and Architecture, Pavillon de L’Arsenal, Paris, France Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany Flirting with Strangers. Encounters with Works from the Collection, 21er Haus, Vienna, Austria Apparition: Frottages and Rubbings from 1870 to Now, Hammer Museum, Los Angeles, CA, USA The Registry of Promise: The Promise of Literature, Soothsaying and Speaking in Tongues, De Kabinetten van De Vleeshall, Middleburg, Netherlands 2014 Take it or leave it: Institution, Image, Ideology, The Hammer Museum, UCLA, CA, USA Der Leone Have Sept Cabeças - Crac Alsace, Altkirch Curiosity - de Appel arts centre, Amsterdam Wall Works - Hamburger Bahnhof - Museum für Gegenwart, Berlin Cristina Guerra Contemporary Art ON DRAWING II - group show - Cristina Guerra Contemporary Art, Lisbon Group Show - Galerie Micheline Szwajcer, Antwerp Dirge: Reflections On [Life And] Death - MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH El Hotel Eléctrico - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp Description Take It Or Leave It: Institution, Image, Ideology - Hammer Museum, Los Angeles, CA O OLHO DO TIGRE - Obras da Colecção Sarmento - Appleton Square, Lisbon Curiosity: Art and the Pleasures of Knowing - The Exchange, Penzance, Cornwall Curiosity: Art and the Pleasures of Knowing - Newlyn Art Gallery, Newlyn Description and image Mai 36 Galerie 1984? - Mai 36 Galerie, Zurich Description and image Georg Kargl Fine Arts & Georg Kargl Box Texte In der Kunst - Georg Kargl Fine Arts & Georg Kargl Box, Vienna 2013 It Is Only A State Of Mind - Heidelberger Kunstverein, Heidelberg Die Sammlung #4 - 21er Haus, Vienna Description Elements, Rudiments and Principles - Boston University Art Gallery - BUAG, Boston, MA Mínima resistencia - Museo Nacional Centro de Arte Reina Sofía, Madrid Curiosity: Art And The Pleasures Of Knowing - Norwich Castle Museum & Art Gallery, Norwich Description The Mediterranean Experience: The Mediterranean as a spatial paradigm for the circulation of ideas and meaning. - MMCA Macedonian Museum of Contemporary Art, Thessaloniki Painting Forever! Keilrahmen - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin Holes in the Walls Early Works 1948-2013 - Fri Art - Centre d'Art Contemporain, Fribourg Nenn mich nicht Stadt! - Künstlerische Positionen zur Urbanität heute - Kunstmuseum St.Gallen, St. Gallen Description La persistencia de la geometría - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City Kaboom! Comic in der Kunst - Weserburg | Museum für moderne Kunst, Bremen Push pins in elastic space - Galerie Nelson-Freeman, Paris Sobre Papel / On Paper - Centro de Artes Visuales Helga de Alvear, Cáceres Biennale di Venezia - 55th International Art Exhibition - La Biennale di Venezia, Venice Curiosity: Art and the Pleasure of Knowing - Turner Contemporary, Margate, Kent Visionen - Atmosphären der Veränderung - MARTa Herford, Herford The Temptation of the Diagram - Andrea Rosen Gallery, New York City, NY Less Like An Object More Like The Weather - Bard College, Annandale-on-Hudson, NY Yes Naturally - Gemeentemuseum Den Haag, The Hague It is only a state of mind - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin The Architectural Ellipsis - Centro Cultural Universitario Tlatelolco, Mexico City Evropská grafika - Galerie Litera, Prague Ersatz Affiches - Tracy Williams, Ltd, New York City, NY 2012 Matt Mullican - Who feels the most pain in the five worlds - Mai 36 Galerie, Zurich Matt Mullican - Two into One becomes Three - - Klosterfelde, Berlin (closed) Matt Mullican - Sutton Lane - Paris, Paris Matt Mullican - Galerie Micheline Szwajcer, Antwerp 2011 Matt Mullican - City - Projectesd, Barcelona Behind That Person - Tracy Williams, Ltd, New York City, NY Matt Mullican - vom ordnen der welt - Haus der Kunst München, Munich Matt Mullican - Galerie Daniel Blau, Munich 2010 12 by 2 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne Matt Mullican - Kröller-Müller Museum, Otterlo Matt Mullican: Works from the 1980s and 90s - SolwayJones, Los Angeles, CA 2009 The Pictures Generation, Metropolitan Museum of Art, NY Time as Matter, Museu D’Art Contemporani De Barcelona, Barcelona, Spain Vraoum!, La Maison Rouge, Paris, France Drawing in the World, The University of the Arts, College of Art and Design, Rosenwald-Wolf Gallery, Philadelphia, PA Just What Are They Saying… Jonathan Ferrara Gallery, New Orleans, LA 2008 Knockin’ on Heaven’s Door, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein 28th São Paulo Biennial, Brazil The Puppet Show, Santa Monica Museum of Art, CA; Contemporary Museum, Honolulu SAND: Memory, Meaning and Metaphor, The Parrish Art Museum, NY Freedom, Den Haag Sculptuur, The Hague, Netherlands Situations: 'The artist is a mysterious entertainer', Stitchting De Appel, Amsterdam Whitney Biennial 2008, The Whitney Museum of American Art, New York The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, PA Zeigen, Audiotour by Karin Sander, Kunstverein Arnsberg, Arnsberg Traces du Sacré, Centre Georges Pompidou, Paris, France 2007 Gagosian Gallery, New York Diagrammatic Logic: Selections from the Collection, MCASD, La Jolla Auto Emotion, Autobiography, emotion and self-fashioning, The Power Plant, Toronto REALLIFE Magazine: 1979-1990, Artists Space, New York The Secret Theory of Drawing, The Model Arts Centre & Niland Gallery, Sligo, Ireland (cat.) Timeout. Art and Sustainability, Kunstmuseum Liechtenstein, Vaduz Cosmologies, James Cohan Gallery, New York 2006 The Secret Theory of Drawing, The Drawing Room, London (cat.) Looking Back, White Columns, New York The 80’s: A Topology, Museu de Serralves, Porto Pictograms, The Loneliness of Signs, Kunstmuseum, Stuttgart (cat.) 2005 Ecstasy. In and About Altered States, MOCA, Los Angeles (cat.) Traces Everywhere, Tracy Williams, Ltd., New York, New York 2004 Global World/Private Universe, Kunstmuseum St. Gallen Herzog & De Meuron + Matt Mullican u.a., Stampa, Basel 2003 Paradise/Paradox, Castle Gallery, College of New Rochelle, New Rochelle Christine Burgin Gallery, New York Re-Produktion 2, Georg Kargl, Vienna, Austria Mapping a City: Hamburg-Kartierung, Kunstverein, Hamburg, Germany 2002 Manifeste, oder: Ergriffenheit – was ist das? Frühe Standards seit 1960, Galerie Daniel Blau, München Iets Wat Zoveel Kost, Is Alles Waard. 10 Nederlandse privé-collecties, De Beyerd, Breda (NL) L'Effet Larsen, Casino Luxembourg, Forum D'Art Contemporain Transformer, Porin Taidemuseo, Pori, Finland 2001 L'Effet Laresen, O.K. Centrum fur Gegenwartskunst, Linz Project Ansitz Lowengang, Magre, Italy Matt Mullican Uri Tzaig, Galerie Heimer und Partner, Berlin Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY 1999 Drawings, Alexander and Bonin Gallery, New York Utopia 2, Same Player Shoots Again, Arti et Amicitiae, Amsterdam Souvenirs: Collecting, Memory, and Material Culture, Guild Hall Museum East Hampton, NY Stimuli, Witte de With, Center for Contemporary Art, Rotterdam Text & Signifier, Cad Soloway Gallery, Cincinnati, Ohio Laboratorium, Antwerp Open, Antwerp, Belgium Anticipation, version 4, Centre pour I'image Contemporaine, Saint-Gervais, Geneva 1998 Artranspennine 98, organized by The Henry Moore Sculpture Trust, and Tate Gallery Liverpool. Various locations across the transpennine region. (cat.) Traces of Science in Art, Royal Netherlands Academy of Arts and Sciences (KNAW), Amsterdam, Netherlands Mostrato, Centro Culturale d'Arte, Pescara, Italy Parallel Worlds, Southeastern Center for Contemporary Art, Winston-Salem, NC Fast Forward, Kunstverein Hamburg, Germany The Edge of Awareness, Geneva, New York, Sao Paolo, New Delhi Altered States, Festival a/d Werf, Utrecht, the Netherlands. (cat.) Artranspennine 98, Tate Liverpool, England Deep Thought, Basilico Fine Arts, New York Anticipation-Version 4, Centre pour I'Image contemporaine, Geneva, Switzerland Pictures for the Blue Room, The Vigeland Museum, Oslo, Norway Jahresgaben, Kunstverein Arnsberg, Arnsberg, Germany Poseidon's Eye, European Cultural Month, Site work, Linz, Austria Modular Composite, Central Fine Arts, New York Peripheral Aspects of Drawing, Galerie Maerz, Linz, Austria. (cat.) 1997 Another & another & another act of seeing (urban space), International Kunstcentrum deSingel, Antwerp, Belgium Miniaturen, Deichtorhallen, Hamburg Heaven, P.S.1 Contemporary Art Center, New York Kunstlerlnnen, Kunsthaus Bregenz, Vienna, Austria Documenta X, Kassel, Germany The Private Eye in Public Art, LaSalle Partners at National Bank Plaza, Charlotte, NC lost in space, Kunstmuseum Luzern, Switzerland ICONS: Magnets of Meaning, San Francisco Museum of Modern Art, San Francisco 1996 Hybrids, De Appel, Amsterdam, Netherlands Spaced Out, Kunstverein Munich, Germany Fragmenfie/Fragmentation, Triple X Festival, Amsterdam, Netherlands Under Capricorn, Stedelijk Museum, Amsterdam The World Over, City Gallery, Wellington, New Zealand Auto Reverse 2, Le Magasin, Grenoble, France How the Chicken Crossed the Road, Mai 36 Galerie, Zurich New York City: Matt Mullican, Gerard Titus Carmel, Richard Tuttle, FRAC Picardie, Amiens, France Artistes/Architectes, Nouveau Musee, Villeurbanne, France 1995 La galerie est devenue rose, Galerie Valleix, Paris, France Pittura/lmmedia, Neue Galerie am Landesmuseum Joanneum and Kunsthaus Graz, Austria Passions privées - art moderne et contemporain dans les collections particulieres en France, Musee d'Art Moderne de la Vlle de Paris, France. (cat.) Dialogues de Paix, Palais des Nations, Geneva 20 Years of Hallwalls Contemporary Arts Center 1975-1995, Burchfield-Penney Art Center, Buffalo State College, Buffalo, NY 1994 Tuning Up, Kunstmuseum Wolfsburg, Germany Landscape as Metaphor, Denver Art Museum, traveled to Columbus Museum of Art, Ohio The Ideal Place, Haags Centrum voor Aktuele Kunst, Netherlands Out of this World, Contemporary Art Museum, Houston Version 1.0, Saint-Gervais, Geneva Dokumentation Realisierter Projekte, Werkstatt Kollerschlag, Austria 1993 Network, The Olympic Collection 94, Kunstnernes Hus, Oslo, Norway At the Edge of Chaos, Louisiana Museum of Modem Art, Humblebaek, Denmark First Europeans, Grosse Orangerie des Schlosses Charlottenburg, Berlin, (cat.) Media Passage, intercommunication 93. Shibuya BEAM Hall, Tokyo, (cat.) New Sculpture for Middelheim, Open Air Museum, Middelheim, Belgium 42nd Street Art Project, sponsored by Creative Time, New York Binaera, Kunsthalle Wien, Austria. (cat.) Fire, Earth, Wafer, Deichtorhallen Hamburg Computerunterstützte Kunst, Musee d'Art Moderne et Contemporain Strasbourg, France 1992 Documenta IX, Kassel, Germany Transform: Bild Objekf Skulptur im 20. Jahrhundert, Kunsthalle and Kunstmuseum Basel, Switzerland, (cat.) c. 1980, Barbara Gladstone Gallery, New York Excess in the Techno-Mediacratic Society, Musee Sarret de Grozen et Tour Gloriette, Arbois, France Allocations/Art for a Natural and Artificial Environment, Zoetermeer, Netherlands (cat.) Sculpture and Multiples, Brooke Alexander, New York 1991 We produce, We Show, Werkstatt Kollerschlag, Austria Drawings, Brooke Alexander, New York 1990 A New Necessity, The First Tyneside International Festival, Newcastle, England About Round, Round About, Anders Tornberg Gallery, Lund, Sweden Works on Paper, The Harcus Gallery, Boston Exchange of Information, New York Telephone Building, New York Word as Image: American Art 1960-1990, Milwaukee Art Museum, WI (cat.) Selected Prints and Multiples, Mai 36 Galerie, Lucerne, Switzerland All Quiet on the Western Front, Gallerie Antoine Candeau, Paris, France La Diaphane, Ecole Regionale Superieure d'Expression Plastique, Tourcoign, France Le Cargo, Grenoble, France 1989 Altered States, The Harcus Gallery, Boston New York Artists, Linda Farris Gallery, Seattle Words and Images - Seven Corporate Commissions, The Cleveland Center for Contemporary Art, OH Conspicuous Display, Stedman Art Gallery, Rutgers, The State University of New Jersey, Camden, NJ Messages, Didactic Gallery, Plano, TX A Forest of Signs, The Temporary Contemporary, MOCA, Los Angeles, CA 1989 Biennial Exhibition, The Whitney Museum of American Art, New York Art of the Eighties - from the Collection of the Chemical Bank, Montclair Art Museum, Montclair, NJ Hommage á la Declaration Universelle des Droits de I'Homme, Centre D'Art Contemporain, Geneva Public Domain, Kent Gallery, New York Selected Works from the Frederick R. Weisman Foundation, Frederick S. Wight Art Gallery, UCLA; Joslyn Museum of Fine Art, Omaha; Neuberger Museum, SUNY Purchase, Akron Art Museum, Akron 32 Portraits;Photography in Art, The Hague Contemporary Art Foundation, Netherlands Remembering the Future, The New York World's Fairs from 1939 to 1964, The Queens Museum, New York The Silent Baroque, Galerie Thaddeus Ropac, Salzburg, Austria Image World: Art and Media Culture, The Whitney Museum of American Art, New York Projects and Portfolios, the 25th National Print Exhibition, The Brooklyn Museum, New York Scultura da camera, Castello Svevo, Bari, Italy Drawings, Daniel Newburg Gallery, New York Benefit for the Wooster Group, Brooke Alexander Editions, New York 1988 Group Exhibition, Galerie De Lege Ruimte, Brugge, Belgium Works on Paper, Curt Marcus Gallery, New York Sculptures de Chambres, Centre d'Art Contemporain, Geneva Group Show, Lawrence Oliver Gallery, Philadelphia Life Like, Lorence Monk Gallery, New York Group Show, Ministere de la Culture et de la Communication, Centre National des Arts Plastiques, Paris, France Desire Paths, Schulman Sculpture Garden, Schulman Reality, White Plains, NY, curated by Helen Horowitz Betekenis, Printinghouse Mart. Spruijy bv., Amsterdam, Netherlands Matt Mullican, Annette Lemieux, Ericson/Ziegler, Fuller Gross Gallery, San Francisco The New Urban Landscape, North Gatehouse, World Financial Center, New York The Inside and the Outside, Rhona Hoffman Gallery, Chicago, IL 1987 Avant Garde in the 80's, Los Angeles County Museum of Art, Los Angeles L’Epoque, la Mode, la Morale, la Passion, Centre Georges Pompidou, Paris A Different Corner, Definition and Redefinition, Painting in America, First Bienal Internacional de Pintora, Museo del Arte Moderna, Cuerva, Equador. (cat.) On Paper, Curt Marcus Gallery, New York Monsters: The Phenomena of Dispassion, Barbara Toll Fine Arts, New York Wrinkled, Burnett Miller Gallery, Los Angeles Schema, Baskerville and Watson Gallery, New York CalArts: Skeptical Belief(s), The Renaissance Society at the University of Chicago, traveled to the Newport Harbor Art Museum, Newport Harbor, CA Real Pictures, Wolff Gallery, New York Topology, Asher/Faure Gallery, Los Angeles Systems, Krygier/Landau Contemporary Art, Los Angeles Skulptur Projekte in Münster, 1987, Germany, (cat.) Wall Works, Comerhouse, Manchester, Great Britain New Works, Kuhlenschmidt/Simon, Los Angeles Works on Paper, Galerie Bernd Kliiser, Munich Signes des Temps, Gallerie Ghislaine Hussenot, Paris New Acquisitions, Carl Solway Gallery, Cincinnati, OH Works on paper, Texas Gallery, Houston 1986 Sacred Images in Secular Art, Whitney Museum of American Art, New York The Spiritual in Art: Abstract Painting 1890-1985, Los Angeles County Museum of Art Individuals: A Selected History of California Artists, 1945-1985, The Temporary Contemporary, MOCA, Los Angeles Emerging Artists, Cleveland Center for Contemporary Art, Cleveland, OH Lawrence Oliver Gallery, Philadelphia, PA Luhring, Augustine and Hodes, New York Baskerville and Watson, New York Scultura da camera, Galleria Marilena Bonomo, Bari, Italy Maelstrom, Palais des Beaux Arts, Brussels, Belgium Art and its Double: A New York Perspective, Fundacio Caja de Pensiones, Madrid; traveled to Barcelona Traps - Elements of Psychic Seduction, Carl Lamagna Gallery, New York Contemporary Art, Chicago, IL Geometria Nova: Helmut Federle, John M. Armleder, Matt Mullican, Gerwald Rockenschaub, Kunstverein München, Germany Mary Carlson, James Casebere, FortuynlO'Brien, Matt Mullican, Michael Klein, Inc., New York 1985 Made in India, Museum of Modem Art, New York Promenades, Parc Lullin,Genthod, Switzerland. Sponsored by Centre d'Art Contemporain, Geneva Signs, The New Museum of Contemporary Art, New York Burnett Miller gallery, Los Angeles Doppelganger, Aorta, Amsterdam Rounding up the Usual Suspects, Fay Gold Gallery, Atlanta, GA Past/Future Perfect, Hallways, Buffalo, NY Drawings, Knight Gallery/Spirit Square Arts Center, Charlotte, NC 1984 Drawing Exhibition at the North Carolina Museum of Art. curated by Donald Droll Totem, Bonnier Gallery, New York Modern Expressionists: from Pollack to Today, Sidney Janis Gallery, New York Baskerville and Watson, New York Tenth Anniversary Invitational, Artists Space, New York idea, organized by Tanja Grunert, Stuttgart, Germany Koplan Gallery, Los Angeles, CA Drawings, Mary Boone Gallery, New York Zeichen, Fluten, Signale, Galerie Nächst St. Stephan, Vienna 1983 Ene International Samlung, Stiftelsen Kalsvik, Stockholm, Sweden Back to the USA, Kunstmuseum, Lucerne, Switzerland Intoxication, Monique Knowlton Gallery, New York Modern Objects, Barbara Toll Fine Arts, New York Notizie di lavoro d'Artista, Genua, Italy 1982 Mary Boone Gallery, New York Return to Artists Space, Artists Space, New York Documenta VII, Kassel, Germany Sweet Art, Ronald Feldman Gallery, New York 1981 The Kitchen, New York Idola: Inespressionismo Americano, Museo di Sant'Agostino, Genoa, Italy School of Art and Design, California Institute of the Arts, Valencia, CA 1980 Horror Pleni - Give me Time To Look: Pictures in New York Today, Padiglione d'Art Contemporanea, Milan, Italy 1979 Masters of Love, 80 Langston Street, San Francisco, CA 1977 Hallwalls, Buffalo, NY 1974 Indian Summer, Project, Inc. Boston, MA PERFORMANCE HISTORY 2008 Whitney Biennial, 67th Street Armory, New York, NY 2007 The Power Plant, Toronto, ON Tate Modern, London 2006 Lentos Kunstmuseum, Linz Tang Museum amd Gallery, Skimore College, Saratoga Springs, NY 2003 Centre Pour l’Image Contemporaine, Geneva Kunsthalle Zurich, Zurich 2002 Anton Kern Gallery, New York 2001 The artist’s studio (documented in Psycho Architecture: Experiments in the Studio), New York Klosterfelde Gallery, Berlin 2000 Los Angeles Contemporary Editions, Los Angeles 1998 Festival a/d Werf, Utrecht 1997 Office Tower, Manhattan Centre, Brussels 1996 A series of 15 performances at different locations produced by Roomade, Brussels 1983 Institute of Contemporary Art, Boston 1982 The Kitchen, New York 1979 The Kitchen, New York Foundation for Art Resources, Los Angeles 1978 The Kitchen, New York 1973 Project Inc., Boston CalArts, Valencia PUBLIC AND CORPORATE COMMISSIONS 2007-2008 Alexandria, San Francisco, CA Copenhagen, Denmark, public project intervention on foot bridges 2002-2003 25 Gardens, BUWOG Apartment Complex, Vienna Topiary Garden, Kallmann-Museum, Ismaning Bronx School for Law, Government & Justice, New York The Arts and Sciences Building, Akron University, Akron 2001-2002 Nouveaux Commanditaires, Fondation de France, Lille Rathaus Passage, Innsbruck Tokyo NIAD (National Institute For Academic Degrees) Center, Tokyo 2001 International Court of the Sea, Hamburg Lowengang Winery, Bolzano 1999 Het Oosten on Sarphatistraat, Amsterdam Autostadt, Wolfsburg Schiphol International Airport, Amsterdam 1998 Schiedam 1997 Miyagi University, Miyagi City of Eindhoven, Netherlands 1996 Swiss Bank Union, Zug, Switzerland 1995 Allgemeine Versicherung, Braunschweig, Germany Hypo-Bank, Gera Flushing Meadows Corona Park, City of New York Parks and Recreation, New York 1994 Stadtsparkasse, Wetzlar, Germany Lyon Parc Auto, Place des Terraux, France 1993 Los Angeles Convention Center, California NUR, Frankfurt 1992 Santa Barbara Museum of Art, California University of Houston, Texas Expo 92, Sevilla Floriade 92, Zoetermeer, Netherlands 1990 Swiss Bank Corporation, New York Musée des Beaux Arts, Tourcoign, France 1989 Arts for Transit, Metropolitan Transit Authority, New York 1988 Deutsche Leasing, Frankfurt 1987 Haags Gemeentemuseum, Netherlands Skulptur Projekte in Münster, Germany SELECTED COLLECTIONS Albright-Knox Art Gallery, Buffalo, New York The Art Institute of Chicago, Illinois Brooklyn Museum, New York Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy Centre Georges Pompidou, Paris Centre Pompidou-Metz, France Cincinnati Art Museum, Ohio FRAC Picardie, Amiens, France Hirshhorn Museum and Sculpture Garden, Washington D.C. Hood Museum of Art, Hanover, New Hampshire Kröller-Müller Museum, Otterlo, Netherlands Kunstmuseum Luzern, Switzerland Laguna Art Museum, Laguna Beach, California Metropolitan Museum of Art, New York Museo Nacional Centro de Arte Reina Sofia, Madrid Museu d’Art Contemporani de Barcelona, Barcelona Museum of Contemporary Art, Antwerp, Belgium Museum of Contemporary Art, Los Angeles The Museum of Fine Arts, Houston, Texas Museum Ludwig, Cologne, Germany Museum of Modern Art, New York National Gallery of Art, Washington D.C. Orlando Museum of Art, Florida Portland Museum of Art, Maine San Francisco Museum of Modern Art, California Tate, London University of Chicago Booth School of Business, Illinois University of Houston Public Art Collection, Texas Whitney Museum of American Art, New York BIBLIOGRAPHY 1979 Bleckner, Ross. “Transcendent AntiFetishism”, Artforum, March 1979 Lawson, Thomas. “Review of the Kitchen”, Real Life Magazine, March 1979, p.3 Lawson, Thomas. “The Uses of Representation: Making Some Distinctions”, Flash Art, March-April 1979, p.37-39 Yoskowitz, Robert. Arts Magazine, November 1980, p.30 1980 Lawson, Thomas. Artforum, November 1980, p.91 McCollum, Allan. “Matt Mullican’s World”, Real Life Magazine, Winter 1980, p.4-13 Salle, David; Welling, James. “Images that understand us”, Journal, no.27, June–July 1980 Tatransky, Valentine. Flash Art, November 1980, p.46 1981 Deitch, Jeffrey. “Who Has The Power?”, Flash Art, October-November 1981, p.46-47 Lawson, Thomas. “Switching Channels”, Flash Art, April–May 1981, p.20-22 Marzorati, Gerald. “Art Picks”, SoHo News, September 22 1981, p.36 Mullican, Matt. “Matt Mullican”, File Magazine, October-November 1981 Smith, Roberta. “Biennial Blues”, Art in America, April 1981, p.92-101 1982 Anon. “Les Expositions dans la Ville”, Quest France, March 19 1982 Haden-Guest, Anthony. “The New Queen of the Art Scene”, New York Magazine, April 19 1982, p.24-30 Owens, Craig. “Back to the Studio”, Art in America, January 1982, p.99-107 Ponti, Lisa. “Documenta 7”, Domus, October 1982, p.67-73 Ponti, Lisa. “Mary Boone and the Past and the Present and the Future”, Domus, November 1982, p.72-73 Silverthorne, Jeanne. “Matt Mullican at Mary Boone”, Artforum, September 1982, p.77-78 Smith, Roberta. “Didacticism, Material and Immaterial”, Village Voice, December 21 1982, p.113 Wolf, Deborah. “Mary Boone”, Avenue, October 1982, p.40-47 1983 Anon. “Mary Boone Gallery, New York; Exposicion”, Goya, January-February 1983, p.251 Blau, Douglas. “Matt Mullican at Mary Boone”, Art in America, March 1983 Brooks, Valerie. “Matt Mullican”, Flash Art, March 1983, p.62 Camitelli, Maria. “II Fiume Scorre Lentamente”, Juliet, January 1983, p.15-20 Freidman, Jon R. “Modern Objects”, Arts Magazine, September 1983, p.9 Lovelace, Carey. “Painting for Dollars”, Harpers Magazine, July 1983, p.66-70 Moufarrege, Nicolas. “Intoxication: April 9, 1983”, Arts Magazine, April 1983, p.70-76 Mullican, Matt. “Checkered Flag”, Juliet, March 1983, p.23 Stewart, Laura. “Soho Gallery Has Been a Boon to Mary”, Sunday Democrat and Chronicle, January 2 1983, p.D3 1984 Anon. “Centre d’Art Contemporain, Genève: Exhibition”, Domus, November 1984, p.81 Anon. “Mullican’s Enigmatic Images”, Newsday, August 22 1984 Borrini, Catherine-France. “Le 10ème Anniversaire du Centre d'Art Contemporain de Genève”, Art Press, October 1984, p.50 Brenson, Michael. “Matt Mullican”, New York Times, December 14 1984, p.C33 Descombes, Murielle. “Les Symbols de Matt Mullican”, Tribune di Genève, October 5, 1984 Evans-Clark, P. “Matt Mullican: Questions sur l’Art”, Art Press, December 1984, p.24-25 Glueck, Grace. “Matt Mullican”, New York Times, July 27 1984, p.C21 Mathonette, Philippe. “Mullican, la Fascination du Pictogramme”, Argus Media, October 2 1984 von Fürstenberg, Adelina. Centre d’Art Contemporain, Genève; 1974-1984, Centre d’Art Contemporain, 1984 (catalogue) Zacharopoulos, Denys. “Postures de Distance”, Artistes, Summer 1984, p.50 1985 Brenson, Michael. “Art: Exhibit of ‘Signs’ at The New Museum”, New York Times, May 17 1985 Celant, Germano. “Between Atlas and Sisyphus”, Artforum, November 1985, p.76-79 Gardner, Colin. “Establishing Order(s)”, Artweek, October 19 1985, p.3 Groot, Paul. “Matt Mullican”, Wolkenkratzer, June-August 1985, p.33 Lewis, JoAnn. “Mullican’s Signs of the Times”, Washington Post, October 26 1985, p.B2 Madoff, Steven Henry. “What is Postmodern About Painting: The Scandinavia Lectures, II”, Arts Magazine, October 1985, p.59-64 Wechsler, Max. “Paradise Gained”, Artforum, September 1985, p.94-97 1986 Anon. “Special Projects”, Everson Museum of Art Bulletin, September 1986 Chayat, Sherry. “Signs of the Times”, Syracuse Herald-Journal, October 14 1986 Failing, Patricia. “Los Angeles Gets a New Temple of Art”, Art News, November 1986, p.94 Frank, Peter. “Immaterial Witnesses”, L.A. Weekly, December 26 1986-January 1 1987 Levin, Kim. “Matt Mullican: The Dallas Project”, Village Voice, May 1986 Patton, Phil. “Isozaki”, Connoisseur, November 1986, p.116-125 Van Der Kaap, Gerald. “Mobbyism”, Zien Magazine, no.8, 1986 1987 Anon. “Art”, Village Voice, May 6 1987 Anon. “Concentrations 15: Matt Mullican”, Dallas Museum of Art Bulletin, 1986-87, p.11 Anon. “L’Epoque, La Mode, La Morale, La Passion 1977-1987”, Petit Journal Centre Beaubourg, p.17 Burnett, John. “State of the Arts”, White Rocker, February 6 1987 Cameron, Dan. “Documenta 8 Kassel”, Flash Art, October 1987, p.61-68 Gardner, Colin. “Reviews”, Artforum, April 1987, p.137-138 George, Rosaline. “Postmodernists in ‘Topology’ Exhibit”, Outlook, July 17 1987 Gipe, Lawrence. “Matt Mullican’s Operatic Installation”, Artweek, February 14 1987 Gipe, Lawrence. Artscribe, May 1987 Knight, Christopher. “Kuhlenschmidt/Simon”, Los Angeles Herald Examiner, February 15 1987 Kuspit, Donald; Wechsler, Max; Cameron, Dan; Tazzi, Pier Luigi; Rein, Ingrid. “The Critics Way”, Artforum, September 1987, p.109-120 Kutner, Janet. “Dallas: Matt Mullican”, Art News, April 1987 Kutner, Janet. “Talking Pictures”, Dallas Morning News, February 5 1987 Morgan, Susan. “Views From L.A.”, Artscribe International, March-April 1987 Nickas, Robert. “Reviews”, Flash Art, February-March 1987, p.113-114 Nixon, Bruce. “Critics Choice”, Dallas Times Herald, February 1 1987 Perez, Luis Francisco. “El Arte y su Doble”, Tema Celeste, April-June 1987, p.66-67 Pontbriand, Chantal. “Skulptur in Munster”, Parachute, September-October-November 1987, p.37-41 Russell, John. “Monsters: The Phenomena of Dispassion”, New York Times, January 30 1987 Schmidt-Wulffen, Stephan. “Enzyklopädie der Skulptur”, Kunstforum, October–November 1987, p.288-301 Sozanski, Edward. “An Artist’s Blend of Philosophy and Symbolism”, Philadelphia Inquirer, September 24 1987 Stavitsky, Gail. “Concerning ‘The Spiritual in Art’”, Arts Magazine, Summer 1987 p.34 Wallis, Brian. “Kapitalische Stigmata”, Kunstforum, October-November 1987, p.253-257 Wallis, Brian. Blasted Allegories, M.I.T. Press, 1987 Wilson, William. “The Art Galleries: La Cienaga Area”, Los Angeles Times, July 24 1987 1988 Tazzi, Pier Luigi. “Matt Mullican. 8. November - 24. Dezember 1988”, Catalogue Mai 36 Galerie, Luzern, 1988 Anon. “Challenging our Vision of Cultural Symbols”, San Francisco Chronicle, October 20, 1988 Anon. “Komische Zeichen”, Luzerner Tagblatt, November 11 1988 Anon. “Matt Mullican”, New York Magazine, September 12 1988 Anon. “Review Matt Mullican, Winnipeg Art Gallery”, Winnipeg Free Press, February 13 1988 Archer, Michael. “Wall Works: Cornerhouse”, Artscribe International, March-April 1988, p.82 Bordaz, Jean-Pierre. “Mages et Images”, Galeries Magazine, August-September 1988, p.91-97 Bromberg, Craig. “Battery Charger”, Vanity Fair, November 1988 Cameron, Dan. “Now New York New”, Wolkenkratzer, January-February 1988, p.20-36, 103-105 Dimitrijevic, Nena. “Wall Works, Cornerhouse, Manchester”, Flash Art March-April 1988, p.121 Groot, Paul. “Matt Mullican”, Parkett, no.17, 1988, p.88-97 Hess, Elizabeth. “Captives of Industry?”, Village Voice, November 15 1988 Horsley, Carter B. “Provocative Peek into Future”, New York Post, October 13 1988 Jalon, Allan. “’Skeptical Belief(s)’ Exhibit Displays Varied Styles of CalArts Graduates”, Orange County Register, January 1988, p.49 Kemp, John. “Matt Mullican: Artsite, Bath”, Arts Review, June 17 1988 Kimmelman, Michael. “Synopsizing the Graphic Fabric of Modern Life”, New York Times, August 12 1988 McCracken, David. “Ito Exhibit Shows Late Artist’s Sensitivity and Sure Touch”, Chicago Tribune, December 23 1988 O’Dell, Kathy. “Through the Image Maze”, Art in America, January 1988 Oberholzer, N. “Eine Kunst, die aufs Totale hinzielt”, Vaterland, November 10 1988 Pincus, Robert L. “Art Review (Newport Beach)”, San Diego Union, February 28 1988 Raynor, Vivien. “Outdoor Sculpture with a Critical Note”, New York Times, October 30 1988, p.28 Schmidt-Wulffen, Stephan. “Wo stehen die Künstler 1988?”, Art, February 1988, p.30-47 Tarantino, Michael. “Mullican: l’organisation de l’histoire”, L’Inventaire, June 1988, p.55-61 Taylor, Paul. “Cultural Geometry”, Flash Art, May-June 1988, no.140, p.124-5 Wilson, William. “Radical Things are Happening in Orange County”, Los Angeles Times, February 28 1988, p.93, 96 1989 Alexander, Max. “Art in the Underground”, Art in America, December 1989 Anon. “Art”, Vogue, September 1989 Anon. “Environments: A Bicoastal View”, Art News, December 1989 Anon. “Former Art Museum Exhibitor Shows Work in New York City”, Oregonian, September 5 1989 Anon. “Gallery Round Up”, The Bulletin, April 27 1989 Anon. “Hot Line”, New York Magazine, September 11 1989 Anon. “La Planète Mullican”, Sans Titre, May-June 1989 Anon. “Matt Mullican”, New Yorker, September 18 1989 Anon. “Nynex Funds Computer-Art Project”, Corporate Art News, July 1989 Anon. “One Single Work of Art Fills Western Gallery”, Bellingham Herald, October 17 1989 Anon. “Production News”, Film and Video Production, July 1989. Anon. “Projects: Matt Mullican at Museum of Modern Art”, Antiques and the Arts, September 15 1989 Anon. Elle Magazine, September 1989 Anon. “Hierogliefen”, Knack Weekend, April 26 1989 Baker, Kenneth. “Matt Mullican Show at Fuller Gross”, San Francisco Chronicle, November 25 1989 Ballatore, Sandy. “Mullican and Mullican: Living the Modern-Postmodern Continuum”, Artspace, July-August 1989, p.51–55 Barasch, Amy. 7 Days, August 30 1989 Beck, Kurt. “Weltenlehre in Erz gegossen und auf Leinwand frottiert”, Luzerner Neueste Nachrichten, January 23 1989 Bonetti, David. “Matt Mullican”, San Francisco Examiner, December 1 1989 Calnek, Anthony. “New York”, Contemporanea, 1989 Clements, Paul. “Magic Carpet Ride”, Museum and Arts Washington, November 1989 Clothier Peter. “Matt Mullican”, Bijutsu Techo, November 1989 Clothier, Peter. “Sign Language”, Art News, Summer 1989 Curtis, Cathy. “Matt Mullican”, Los Angeles Times, November 17 1989 Decter, Joshua. “Matt Mullican”, Flash Art, November-December 1989 Decter, Joshua. “New York in Review”, Arts Magazine, January 1989, p.105 Doswald, Christoph. “Matt Mullican”, Kunstforum, January-February, 1989 Farr, Sheila. “Language of Symbols Explored”, Bellingham Herald, October 20 1989 Forgey, Benjamin. “The Urban Picture”, Washington Post, December 16 1989 Gibson, Eric. “Rug/Sculpture Fuses Hirshhorn with City”, Washington Weekend, December 14 1989 Hackett, Regina. “Poker-faced NY Pop Artists Exhibit Some Staying Power”, Seattle Post-lntelligencer, February 21 1989 Helfer, Judith. “Kunst und Technik”, Aufbau, September 15 1989 Kimmelman, Michael. “Art, a Show Featuring Prints, the Subject is Ambition”, New York Times, October 6 1989 “Words and Symbols from Matt Mullican”, New York Times, September 1 1989 “At the Whitney, 100 Works from the Last 30 Years”, New York Times, November 13 1989 Kraus, Karl. “Kunst ist, was Welt wird”, Männer Vogue, June 1989 Levin, Kim. “Matt Mullican”, Village Voice, October 17 1989 Mullican, Matt. “Matt Mullican”, File Magazine, Spring 1989 Princenthal, Nancy. “Matt Mullican’s Etchings: Rereading the Looking Glass”, Print Collector’s Newsletter, November-December 1989 Schwartzman, Allan. “Corporate Trophies”, Art in America, February 1989 Smith, Richard. “MoCA navigates ‘A Forest of Signs’”, New Art Examiner, Summer 1989 Steinberg, Jane. “Just Say Faux”, Seattle Weekly, February 8 1989 Weber, John. “PCVA Program Begins with Matt Mullican’s Dallas Project”, Oregon Art Institute Magazine, June-July 1989, p.18-19 Woodward, Richard. “For Art, Coastal Convergences”, New York Times, July 6 1989 1990 Kline, Katy / Meinhardt, Johannes / Tarantino, Michael / Mullican, Matt. “The MIT Project”, Exhibition Catalogue, MIT List Visual Arts Center, Cambridge, 1990 “Matt Mullican, Information, simulation et fiction”, in: Kanal, nE11, Dezember 1990, p.46 Ain, Stewart. “Artist Gives Park Fair Treatment”, NY Daily News, July 24 1990 Anon “Cosmologie”, Voir, November 1990 Anon “Matt Mullican”, Flash Art, October-November 1990 Anon. “Art in the Park”, Park Advocate, Spring–Summer 1990, p.4 Anon. “Computer Installation von Matt Mullican”, Frankfurter Allgemeine Zeitung, November 29 1990, p.48 Anon. “Computer Project”, Rogue, no.7, December 1990 Anon. “Em Calcário azul de Cascais”, O Público, May 29 1990 Anon. “Grenoble prise dans les Toiles et les Spirales”, Libération, October 18 1990 Anon. “Grenoble”, The European, October 12-14 1990 Anon. “La Semiotica di Matt Mullican”, II Giornale dell’Arte, September 1990 Anon. “La Ville de Matt Mullican”, Le Dauphine Libère, October 25 1990 Anon. “Matt Mullican at the Magasin”, Gallery Guide, September 1990 Anon. “Matt Mullican in Grenoble”, Artis, October 1990, p.57 Anon. “Matt Mullican”, Artforum, January 1990 Anon. “Matt Mullican”, Grandes Lignes, October 1990 Anon. “Matt Mullican”, Público A Semana, June 1 1990 Anon. “Swiss Bank Corporation Commissions Site Specific Sculptures by Richard Serra and Matt Mullican, Swiss American Review, March 14 1990 Anon. “Matt Mullican”, Menninger Perspective, vol.21, no.4, 1990 Bost, Bernadette. “Le Génie Encyclopédique”, Le Monde, September 15 1990 Clot, Manel. “Repertorio Simbolico”, El Pais, October 6 1990 de Beaumont, Thierry. “Mullican City”, Atelier, Number 2, April-June 1990 Emmett, Arielle. “Supercomputer Art”, Computer Graphics World, April 1990, p.91-93 Guilloteau, Claude. “Les Villes-fictions de Matt Mullican”, Les Affiches, September 28 1990 Guimarães, José. “Cartografias”, Fim de Semana, June 8 1990, p.11 Haggerty, Michael. “Exploring the World in the Art of Matt Mullican”, IEEE Computer Graphics and Applications, May 1990, p.3-7 Iverem, Esther. “Framing a Park with Art Drawn from Four Artists”, New York Newsday, July 3 1990, p.12 Kandell, Susan. “Matt Mullican”, Arts Magazine, February 1990 Kluge, Franz. “Bilder von völlig neuer Art”, Horizont, no.8, February 1990 Lambrecht, Luk. “Matt Mullican”, Forum, November-December 1990, p.76 Matthes, Frank. “Max Headroom ist nicht zu Hause”, Journal Frankfurt, no.4, December 6-19 1990 Melo, Alexandre. “Matt Mullican, Mapa Mundo”, Expresso, June 2 1990 Mullican, Matt. “Matt Mullican”, ICI Newsletter, Spring-Summer 1990 Mullican, Matt. [Cover design], Oblek Magazine, no.8, Fall 1990 Nemser, Rebecca. “China Fair”, Boston Phoenix, May 25 1990 Oerlemans, Hans. “Kunst tegen de muur doet discussie opnieuw oplaaien”, Het Binnenhof, September 5 1990 Peeters, Mark. “Vandaalbestendige kunst verlevendigt Haagse wijk”, NRC Handelsblad, September 5 1990 Perrard, Sylvie. “Matt Mullican au Magasin”, Le Dauphine Libère, September 15 1990 Pietrantonio, Gianni di. “Spotlight, Matt Mullican”, Flash Art, November-December 1990 Pinharanda, João. “Sinais Mínimos”, O Público, May 25 1990, p.14 Pye, Michael. “Polygons and Pixels, the City as Techno-art”, Independent on Sunday, February 11 1990 Quaroni, Grazia. “Matt Mullican”, Juliet, December 1990-January 1991, no.50 Rose, Frank. “Is Computer-generated Art Really Art?”, Lotus, May 1990, p.96 Sapolin, Donna. “Art Spills into the City’s Streets”, Metropolitan Home, August 1990 Temin, Christine. “Putting the World in Order”, Boston Globe, June 6 1990 Thomas, Mona. “Matt Mullican”, Beaux Arts Magazine, November 1990, p.135 Tschechne, Martin. “Schnelle Reise durch die Welt im Computer”, Art, no.12, 1990, p.127 von Drateln, Doris. “Matt Mullican”, Contemporanea, January 1991, p.93 Wolff, Thomas A. “Architekt der Gemeinplatze”, Frankfurter Rundschau, November 22 1990, p.26 Zahm, Olivier. “Matt Mullican”, Art Press, December 1990 1991 Mullican, Matt / Weiner, Lawrence:.“In the crack of the dawn”, Comic-Book, Mai 36 Galerie, Luzern, 1991 Anon. “Matt Mullican”, Mitsukoshi, no.191, issue no.8, 1991, p.176-177 Anon. “Eye Poppers”, Bijutso Techo, February 1991, vol.43, no.634, p.194 Anon. “Fine Art Collection Swiss Bank Tower”, Swiss Bank Corporation, New York, 1991 Anon. “Matt Mullican”, New Yorker, May 20 1991 Anon. “Matt Mullican”, Print Collector’s Newsletter, July-August 1991, p.98-99 Anon. “The Library”, New Yorker, June 17 1991, p.14 Ardenne, Paul. “Matt Mullican City Project”, Art Press, special edition, Summer 1991 Barre, Francois. “Une Commande Publique”, Les Arts Etonnants, 1991, p.16-17. Bouisset, Maiten. “Le Centre d’Art Contemporain de Grenoble”, Arts Info, no.56, February-March 1991, p.1, 6-10 Corbou, Michel. “Matt Mullican: découvre le 8ème art”, L’Atelier News, no.10, September 1991, p.19-20 Decter, Joshua. “Symbols from a Logocentric Society”, Flash Art, May-June 1991, p.102-105 Geerling, Let. “Mullican Life—Mullican Death—Mullican World”, Archis, February 1991 Haus, Mary. “Matt Mullican: Brooke Alexander”, Art News, October 1991, p.129 Heartney, Eleanor. “Matt Mullican at Brooke Alexander”, Art in America, November 1991, p.149-150 Kandel, Susan. “Matt Mullican’s Clever but Static Project”, Los Angeles Times, December 13 1991 Karcayannis, Vassia. “Le Diaphane”, ArtiFischer, January-February 1991 Levin, Kim. “Choices: Matt Mullican”, Village Voice, May 21 1990, p.110 Lubetkin, Wendy. “The Life of the Image”, World Link, January-February 1991, p.112-3 Mullican, Matt. “Aatekeningen en fragmenten uit een voordracht over een afbeeling van een kosmologie”, Kunst und Museumjournaal, no.2, 1991 Mullican, Matt. “Matt Mullican Project for B.T”, Bijutsu Techo, February 1991, vol.43, no.634, p.172-175. Smith, Roberta. “Art in Review, Matt Mullican”, New York Times, May 31 1991 von Drateln, Doris. “Matt Mullican”, Kunstforum, January-February 1991, p.383-385 Wijiers, Louwrien. “Stadsbeelden zonder stedebouw”, Het Financieele Dagblad, March 30 1991, p.11 1992 Anon. “Matt Mullican et l’architecture”, La Libre Culture, April 8 1992 Chadwick, Susan. “Artist’s Work Creates New Worlds, Lets us Explore them”, Houston Post, March 26 1992, p.C2 Crowder, Joan. “Putting Order in Our World”, Santa Barbara News-Press, May 29 1992, p.21-22 Etchells, Tim. “Landscape of Signs”, Frieze, no.3, p.15-17 Johnson, Patricia C. “Matt Mullican Approaches Art as ‘Intellectual Exercise’”, Houston Chronicle, March 27 1992, p.1E, 4E Kalil, Susie. “Signs of the Times: Matt Mullican Boils Modern Experience down to Symbols”, Houston Press, March 19-25 1992 Knight, Christopher. “In between Common, Grand: Matt Mullican”, Los Angeles Times, May 26 1992, p.F1, F4-5 Kohen, Helen L. “In FIU Show, Painting is Alive and Well; Artists Experiment with Materials, Canvas”, Miami Herald, January 12, 1992, p.11, 51 McFadden, Sarah. “Signs of the times”, The Bulletin, April 1992, p.12 Mullican, Matt. Matt Mullican, Imschoot (artist’s book) Safran, Yehuda. “Documenta IX: Children of the Gorgon’s Blood”, Arti, November-December 1992, p.48-56 Tarantino, Michael. “Building Models of Perception”, Parachute, October-December 1992, p.5-8 1993 Mullican, Matt. “Matt Mullican. World frame”, Ausstellungskatalog des Contemporary Art Museum, University of South Florida, Florida, 1993 Zacharopoulos, Denys/ Brouwer, Marianne / Mullican, Matt. “Matt Mullican. Works 1972-1992”. Verlag der Buchhandlung Walther König, Köln, 1993 Anon. “Matt Mullican”, Domus, September 1993, p.25–31 Anon. “Prints and Photographs Published”, Print Collector’s Newsletter, September–October 1993, p.145–149 Bitterli, Konrad. Flash Art, November–December 1993, p.120 D’Amato, B. “Matt Mullican: Color Coding the Absurd”, Flash Art, March-April 1993, p.76 Decter, Joshua. “Matt Mullican”, Artforum, February 1993, p.97 Dery, Mark. “Art Goes High-tech”, Art News, February 1993, p.74–83 Gagneur, Didier. “Quest for Excess”, New Observations, March-April 1993, p.14-15 Heartney, Eleanor. Art News, March 1993, p.109 Meinhardt, Johannes. “Matt Mullican’s Reise durch die Welten”, Artis, July-August 1993 Princenthal, Nancy. “Matt Mullican at Barbara Gladstone”, Art in America, May 1993, p.119 1994 Albertini, Rosanna. “Un’ arte fatta di memoria”, Flash Art (Italy), November 1994, p.30-35 Antal, Istvan. “Matt Mullican a Becsi Szeceszio-ban. Portre”, Balkon, November 1994, p.20-24 Harold, Jim. “The Morgue”, Creative Camera, February–March 1994, p.10–13 Princenthal, Nancy. “Artists Book Beat”, Print Collector’s Newsletter, September–October 1994, p.150-152 1995 Yvars, J.F. / Marì, Bartomeu / Tarantino, Michael: “Matt Mullican. IVAM CENTRE DEL CARME 11 Mayo / 9 Julio 1995”, Catalogue Instituto Valenciano de Arte Moderno, Valencia, 1995 Räber, Susanne: “Herausgelöst aus der virtuellen Welt”, in: Sonntagszeitung, 9. April, 1995 Anon. “Place des Terreaux”, Bauwelt, July 1995 Anon. “Games”, Grand Street, no.52, p.13–16 Blauvelt, Andrew. “In and Around”, Emigre, Winter 1995, p.2-23 Czoppan, Gabi. “Kunstler des Jahres”, Focus, no.43. October 1995 Dannat, Adrian. “La Galerie est devenue Rose”, Flash Art, May-June, p.69 Hauffen, Michael. “Rosebud”, Kunstforum, May-June 1995, p.344-345 Matthieu, Marie-Christiane. Cinémagie, Petite Ecole, 1995 Muhr, Christian. “Matt Mullican”, Österreicher Chronik, December 5 1995 Peters, Philip. “Matt Mullican”, Art and Design, May–June 1995 p.68–70 Tietenberg, Annette. “Schwarz-Weiss-Rot”, Frankfurter Allgemeine Zeitung, May 16 1995, p.42 1996 Anon. “Studio Glass at the Metropolitan Museum of Art”, American Craft, June-July 1996, p.44-45 Neri, Louise. Everything that’s Interesting is New, Cantz, 1996 Popper, Frank. “Visualization, Cultural Mediation and Dual Creativity”, Leonardo, no.4, 1996, p.311 Sowa, Hubert. “Stadtforschung/Bildforschung”, Kunst und Unterricht, September 1996, p.22-28 Warwick, Nigel. “The Castle Lures Art Pilgrims at -20 Degrees”, Flash Art, Summer 1996 p.68-69 1997 Meschede, Friedrich: “Matt Mullican in der neuen Nationalgalerie Berlin”, DAAD, Berlin, 1997 Anon. “Untitled”, Art and Design, January-February 1997, p.64 Gibbs, Michael. “On and Offline at Documenta X”, Art Monthly, September 1997, p.51 Schmidt–Wulffen, Stephan. Kunst Arbeit Südwest LB Sammlung, Cantz, 1997 1998 Bennet, Simpson. “Matt Mullican at Br |
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