Cristina Guerra Contemporary Art is pleased to present a group exhibition
RUI TOSCANO - T For Tornado
Opening Reception on Thursday, May 23 at 10 pm
May 24 through June 24, 2007
Tuesday to Friday 11 am > 8 pm
Saturday 12 pm > 8 pm
Cristina Guerra Contemporary Art is pleased to announce
a solo exhibition by Rui Toscano, the artist’s third one-man show
at the gallery.
Titled T for Tornado, the selection of works on display result in a genealogy, not of replication, but of furtherance and reworking of the artist’s sculptural vocabulary, where he willingly experiments with the lexicon of minimalism to employ some of his hallmark materials: boomboxes, antennas and sound.
The video installation which lends its title to the exhibition, encountered on entering the gallery, clearly evokes the memory of one of the artist’s earlier sculptures, an elemental “self-portrait” from 1998, titled T. In this seminal piece, the letter T - the first to the artist’s last name - was shaped by borrowing one of minimalism’s forms: two large, black rectangular parallelepipeds. By calculating the sculpture to his exact height, Toscano seems to have been taking Michael Fried’s criticism of literalist, i.e., minimal art word for word. Toscano’s sculpture was intentionally anthropomorphic, it was hollow and foregrounded the space that both it and the viewer occupied; it persisted in time, coming from the fact that a radio, placed in the top horizontal section of the piece, emitted the artist’s deadpan delivery of the letter T at intervals of 14 seconds, slowly yielding a presence, rather than the modernist presentness.
T for Tornado, one of the exhibition’s central
pieces, exhorts viewer complicity: the memory of the aforementioned piece,
but also our capacity to stand in an indeterminate, open-ended and unexacting
relation to the projection. The video presents two intersecting images of
the artist rotating, one forming a vertical line, the other a horizontal
line, which together form the shape of a T. In this piece, Toscano places
the loop at the centre of the work’s structure, the endless repetition
of a same action that ultimately results in a sense of stasis. Two rhythms
punctuate the piece: one of acceleration, where the artist’s image
becomes increasingly indistinct, one of deceleration, where the stiff figure
progressively returns to view. The work thus uses circular motion that is
without a destination, having no beginning or end, no narrative, no apparent
outcome or telos. Like his sculpture, this video “occupies”
physical space and involves the viewer in its ceaseless circularity, inducing
what some may feel as a hypnotic, disconcerting effect.
The show includes Light Corner, 2006, an installation comprised of 9 boom boxes assembled in three lines from a right-angle corner, where each radio plays a tape recorded with the sound of matches being lit, and Wave Field, 2007, a sculpture comprised of various antennas, constructed, as always, as a tautology. A selection of drawings by the artist can be viewed on request. ND
The exhibition at Cristina Guerra Contemporary Art runs from May 23 to June 23, 2007. The artist will be present for the opening on Tuesday evening.
For further information, kindly contact Inês Teixeira [email@example.com] [+351 213 959 559]